All articles by Alex Dudok de Wit

The Crossing uses striking animation techniques but its story struggles to pick up momentum

Salaam Bombay! ranks with the masterpieces of neo-realism

Drawing ahead: Suzuki Toshio on the future of Studio Ghibli

Away review: a lone animator on the open road

50 key anime films

Tick tick... boom: anime goes global

Klaus review: cutting-edge festive animation with a cynical sting

The Lion King review: Disney’s CGI remake is lifelike but listless

Quick on the draw: the best animated shorts at Annecy Festival 2019

Animated lives: five of the best features from Annecy Festival 2019

Looping around limitations: the experimental shorts of Tezuka Osamu

Dumbo review: Disney’s remake takes on dead weight

The Lego Movie 2 review: this hyper-aware sequel builds a wall of irony

Detainment review: a plea for wiser judgement

Five of the best at the 2018 Manchester Animation Festival 2018

Aesthetica Short Film Festival 2018: convening the vanguard of British cinema

Peace, love… and Estonian madness at the Hiroshima Animation Festival 2018

Takahata Isao obituary: Studio Ghibli’s quiet visionary of the real

Sanctuary review: rejecting disability stereotypes and sermons

The best indie animation of 2016

Toons in the air: highlights of 2016’s Manchester and London animation festivals

FiSahara: the world’s only film festival in a refugee camp

The best indie animation of 2015

Toons by women at Encounters 2015

London 2015: Shorts, centre-stage

Te Wei, founding father of Chinese animation

Toon of the week: Song of the Sea

Paris: animation capital of the world?