All articles by Tony Rayns

Apichatpong on Memoria, his odyssey into the soundscapes of Colombia

2021: the year in East Asian cinema

Prisoners of the Ghostland sends Nic Cage on an uninspired action movie mission

Choked takes in middle-class Indian life from the gutter to the stars

Labyrinth of Cinema summons peace through frenetic cinephilia

A Sun follows a Taipei family through thunder and loss

Remake/remodel: 45 weird and wonderful alternative film cuts

To the Ends of the Earth is a soppy satire that finds nothing new on its travels

Rebecca returns to Manderlay, but no one’s home

The Eight Hundred review: a puffed-up reprise of the defence of Shanghai

“Alan Moore pushed me to think less about the killer and more about the spirit of the times”: Bong Joon Ho on Memories of Murder

The Truth: Catherine Deneuve plays a monstrous movie star in Koreeda’s French adventure

First Love review: Takashi Miike adds romance into the mix of a lurid gang thriller

Present.Perfect. review: the Chinese video bloggers streaming their way to better lives

Long Day’s Journey Into Night review: Bi Gan’s extravagant art noir wows in three dimensions

Burning review: Lee Changdong’s drama sparks with rage and imagination

An Elephant Sitting Still review: a howl of desperate defiance

Flights of fantasy: Bucheon International Fantastic Film Festival 2018

Rainer Werner Fassbinder interviewed in 1974: “The primary need is to satisfy the audience”

Suzuki Seijun obituary: Japanese cinema’s dazzler of the deep Bs

Film of the week: Cemetery of Splendour

Film of the week: Arabian Nights Volume 1: The Restless One

Film of the week: The Club

Film of the week: A Bigger Splash

Two Days, One Night review

Donald Richie, 1924-2013

Gateway from the east: Dubai 2013

Blockage on the line: Snowpiercer vs Scissorhands