All articles about British cinema

Then and now

75 years of The Lavender Hill Mob: how the London locations look today

As the beloved Ealing crime comedy turns 75, we track down the exact spots where Alec Guinness and his gang of gold bullion thieves carried out their heist.

By Adam Scovell

75 years of The Lavender Hill Mob: how the London locations look today

Object of the week

Object of the week: Costume designs for Julie Christie in the swinging 60s drama Darling

By Melanie Williams

Object of the week: Costume designs for Julie Christie in the swinging 60s drama Darling

One per year

A history of 1960s British cinema in 10 songs

By David Parkinson

A history of 1960s British cinema in 10 songs

Reviews

“The whole film is centred upon Hockney’s art”: A Bigger Splash reviewed in 1975

By Philip French

“The whole film is centred upon Hockney’s art”: A Bigger Splash reviewed in 1975

Interviews

Here be tourists: how a Scottish black comedy satirises cultural Disneyfication

By Katherine McLaughlin

Here be tourists: how a Scottish black comedy satirises cultural Disneyfication

Then and now

30 years of Mike Leigh’s Secrets & Lies: how the London locations look today

By Adam Scovell

30 years of Mike Leigh’s Secrets & Lies: how the London locations look today

Object of the week

Emeric Pressburger’s screening room pass for the UFA film studios in pre-Nazi Germany

By Melanie Williams

Emeric Pressburger’s screening room pass for the UFA film studios in pre-Nazi Germany

Object of the week

When Brighton Rock was called ‘The Worst Sin’ – the rare original poster

By Alex Prideaux

When Brighton Rock was called ‘The Worst Sin’ – the rare original poster

Object of the week

Object of the week: Sight and Sound’s Festival of Britain special from 75 years ago

By Alex Prideaux

Object of the week: Sight and Sound’s Festival of Britain special from 75 years ago

Object of the week

Michael Ffolkes’s Punch illustrations for This Sporting Life and other 1960s British classics

By Melanie Williams

Michael Ffolkes’s Punch illustrations for This Sporting Life and other 1960s British classics

Rarities of British cinema

“Never were cloth caps worn more rakishly”: Alberto Cavalcanti’s neglected British ‘low-life’ drama For Them That Trespass

By Josephine Botting

“Never were cloth caps worn more rakishly”: Alberto Cavalcanti’s neglected British ‘low-life’ drama For Them That Trespass

Object of the week

Object of the week: The retro-futuristic poster for The Man Who Fell to Earth

By Melanie Williams

Object of the week: The retro-futuristic poster for The Man Who Fell to Earth

Object of the week

Object of the week: David Lean’s unmade Nostromo – the production designs

By Melanie Williams

Object of the week: David Lean’s unmade Nostromo – the production designs

Rarities of British cinema

The one-and-done directorial debut that sparkles with audacity and risqué humour

By Josephine Botting

The one-and-done directorial debut that sparkles with audacity and risqué humour

10 great

10 great British films of 1976

By Alex Ramon

10 great British films of 1976

Interviews

How we brought the ‘Madfabulous’ life of Wales’s ‘dancing marquess’ to the screen

By Lillian Crawford

How we brought the ‘Madfabulous’ life of Wales’s ‘dancing marquess’ to the screen

Object of the week

Object of the week: Derek Jarman’s workbook for Blue

By Tabitha Austin

Object of the week: Derek Jarman’s workbook for Blue

Object of the week

Object of the week: Signed cast and crew photo from 1940s hit melodrama The Seventh Veil

By Melanie Williams

Object of the week: Signed cast and crew photo from 1940s hit melodrama The Seventh Veil

Interviews

Plague and panic in 1870s Wisconsin: inside the apocalyptic western A Prayer for the Dying

By Lou Thomas

Plague and panic in 1870s Wisconsin: inside the apocalyptic western A Prayer for the Dying

Rarities of British cinema

The British New Wave outlier that tested Laurence Olivier

By Josephine Botting

The British New Wave outlier that tested Laurence Olivier

Object of the week

Object of the week: The film that launched Benjamin Britten’s Young Person’s Guide to the Orchestra

By Steven Foxon

Object of the week: The film that launched Benjamin Britten’s Young Person’s Guide to the Orchestra

Influences and inspirations

“There’s a kind of wet heat in there that you can feel”: Emerald Fennell on 7 films that influenced her version of Wuthering Heights

By Lillian Crawford

“There’s a kind of wet heat in there that you can feel”: Emerald Fennell on 7 films that influenced her version of Wuthering Heights

Object of the week

Object of the week: Douglas Slocombe’s home movie from the making of Ealing comedy The Titfield Thunderbolt

By Josephine Botting

Object of the week: Douglas Slocombe’s home movie from the making of Ealing comedy The Titfield Thunderbolt

Object of the week

The mystery 1967 ‘music video’ for The Beatles’ ‘Penny Lane’

By William Fowler

The mystery 1967 ‘music video’ for The Beatles’ ‘Penny Lane’

Features

“I have made so little”: what the archives of two women filmmakers tell us about the film industry

By Jessica Boyall

“I have made so little”: what the archives of two women filmmakers tell us about the film industry

10 great

10 great British heist films

By Rory Doherty

10 great British heist films

Rarities of British cinema

The saucy British comedy that sold out cinemas in post-war New York

By Josephine Botting

The saucy British comedy that sold out cinemas in post-war New York

Interviews

The Incomer: director Louis Paxton on his darkly funny tale of siblings, islands and isolation

By Lou Thomas

The Incomer: director Louis Paxton on his darkly funny tale of siblings, islands and isolation

Object of the week

Object of the week: Behind-the-scenes shots from the making of the first British Asian feature film

By Melanie Williams

Object of the week: Behind-the-scenes shots from the making of the first British Asian feature film

Interviews

Andrea Luka Zimmerman: “The 90s were amazing, but the brutal violence was real”

By Georgia Korossi

Andrea Luka Zimmerman: “The 90s were amazing, but the brutal violence was real”