BFI Player’s October 2026 line-up

October brings subscription exclusives for David Cronenberg’s The Shrouds and Damiano Michieletto’s Venetian drama Primavera, plus films from Dario Argento, Charles Burnett and Isaac Julien.

The Shrouds (2024)

They called him The Red Priest, and he, Antonio Vivaldi, is the tempest who stirs the Venetian seas in Primavera. Charles Burnett’s lacerating drama The Glass Shield leads our new titles for Black History Month, and October ends with Halloween horrors from Dario Argento and David Cronenberg.

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1 October 

Italy 2025 
Subscription exclusive

Damiano Michieletto’s enthralling Venetian drama inspired by the life of Baroque composer Antonio Vivaldi. 

USA 1994 

The first Black recruit in his squad, rookie cop J.J. Johnson struggles to adapt to life on the force, in this thrilling 90s drama from Charles Burnett. 

United Kingdom 1997 

Isaac Julien and Mark Nash’s celebrated experimental documentary about the Afro-Caribbean psychiatrist and revolutionary. 

Frantz Fanon: Black Skin White Mask (1995)

United Kingdom 2018 

Molly Dineen’s acclaimed documentary about renowned Brixton-based music producer Blacker Dread. 

2 October 

France 1969 

The first of Chabrol’s great run of bourgeois psychological thrillers follows the fall-out from a husband discovering his wife’s affair. 

La Femme infidèle (1969)

5 October 

United Kingdom 2026 

A kaleidoscopic documentary exploring the relationship between film and dreams, and inspired by the film historian and theorist Vlada Petrić. 

12 October 

Italy 1996 

Dario Argento’s dizzying and gut-wrenching drama about a young policewoman (Asia Argento) on the hunt for a serial killer who becomes obsessed with her. 

The Stendhal Syndrome (1996)

19 October 

Italy 1987 

Boasting quite possibly Argento’s most iconic single image, almost certainly his most spectacular death, and indisputably his most insane ending. 

26 October 

Canada 2024 
Subscription exclusive 

David Cronenberg’s latest film sees Vincent Cassel as a widower channelling his grief into a new technology that lets people observe the decaying bodies of the dead.