Josh Slater-Williams

Josh is a UK-based critic and culture journalist. In addition to the BFI and Sight and Sound, he also writes for Total Film, Little White Lies, IndieWire, Filmmaker and others.

All articles by Josh Slater-Williams

5 things to watch

5 things to watch this weekend – 30 August to 1 September

Bats, flies, lambs, dogs. Which animalistic entertainment will you try and keep up with this weekend?

By Josh Slater-Williams

5 things to watch this weekend – 30 August to 1 September

Festivals

10 films to watch at the Edinburgh International Film Festival

By Josh Slater-Williams

10 films to watch at the Edinburgh International Film Festival

Interviews

From Spielberg to Brakhage: 5 influences on the sci-fi-tinged drama Sky Peals

By Josh Slater-Williams

From Spielberg to Brakhage: 5 influences on the sci-fi-tinged drama Sky Peals

Interviews

Chasing Amy and the LGBTQIA+ community: “There’s no consensus on this movie. It remains complicated to a lot of people”

By Josh Slater-Williams

Chasing Amy and the LGBTQIA+ community: “There’s no consensus on this movie. It remains complicated to a lot of people”

Festivals

10 to see at Glasgow Film Festival 2024

By Josh Slater-Williams

10 to see at Glasgow Film Festival 2024

Reviews

River: a two-minute time loop traps a group of hospitality workers in this breezy Japanese sci-fi

By Josh Slater-Williams

River: a two-minute time loop traps a group of hospitality workers in this breezy Japanese sci-fi

Interviews

Koji Fukada on his family drama Love Life: “If you have a deaf character in a film, the chances are they’re pure and angelic”

By Josh Slater-Williams

Koji Fukada on his family drama Love Life: “If you have a deaf character in a film, the chances are they’re pure and angelic”

10 great

10 great Japanese boxing films

By Josh Slater-Williams

10 great Japanese boxing films

Reviews

LOLA: a dark alt-history time-travel caper

By Josh Slater-Williams

LOLA: a dark alt-history time-travel caper

Interviews

Emily Watson on Ireland-set assault drama God’s Creatures: “We’re all complicit because the status quo is for all of us”

By Josh Slater-Williams

Emily Watson on Ireland-set assault drama God’s Creatures: “We’re all complicit because the status quo is for all of us”

Interviews

1976: Manuela Martelli on her Hitchcockian thriller about life under Pinochet

By Josh Slater-Williams

1976: Manuela Martelli on her Hitchcockian thriller about life under Pinochet

Festivals

Borderlines Film Festival: 10 to watch

By Josh Slater-Williams

Borderlines Film Festival: 10 to watch

Festivals

10 to see at Glasgow Film Festival 2023

By Josh Slater-Williams

10 to see at Glasgow Film Festival 2023

Interviews

The company of wolves: how we made snowbound mystery January

By Josh Slater-Williams

The company of wolves: how we made snowbound mystery January

Where to begin

Where to begin with James Cameron

By Josh Slater-Williams

Where to begin with James Cameron

Reviews

Hold Me Tight: Mathieu Amalric’s elliptical portrait of loss

By Josh Slater-Williams

Hold Me Tight: Mathieu Amalric’s elliptical portrait of loss

10 great

10 great films with DIY special effects

By Josh Slater-Williams

10 great films with DIY special effects

Reviews

Special Delivery: superior car-chase thriller

By Josh Slater-Williams

Special Delivery: superior car-chase thriller

10 great

10 great British films of 2002

By Josh Slater-Williams

10 great British films of 2002

Features

Men in Black at 25 and the end of the practical effects era

By Josh Slater-Williams

Men in Black at 25 and the end of the practical effects era

Reviews

Death of a Ladies’ Man: new skin for old songs

By Josh Slater-Williams

Death of a Ladies’ Man: new skin for old songs

Interviews

François Ozon on his assisted-suicide drama Everything Went Fine: “The film is like a thriller”

By Josh Slater-Williams

François Ozon on his assisted-suicide drama Everything Went Fine: “The film is like a thriller”

Interviews

Vikings don’t cry: Thomas Daneskov on his off-grid comedy Wild Men

By Josh Slater-Williams

Vikings don’t cry: Thomas Daneskov on his off-grid comedy Wild Men

Festivals

10 films to watch out for at Glasgow Film Festival 2022

By Josh Slater-Williams

10 films to watch out for at Glasgow Film Festival 2022

Interviews

Fred Baillif on La Mif: “Social work is the best film school for storytelling”

By Josh Slater-Williams

Fred Baillif on La Mif: “Social work is the best film school for storytelling”

Where to begin

Where to begin with Shinji Somai

By Josh Slater-Williams

Where to begin with Shinji Somai

Reviews

Martyrs Lane invites an angelic, ghostly child into a family home

By Josh Slater-Williams

Martyrs Lane invites an angelic, ghostly child into a family home

Interviews

Wildfire: Cathy Brady and Nora-Jane Noone on their Irish border drama

By Josh Slater-Williams

Wildfire: Cathy Brady and Nora-Jane Noone on their Irish border drama

Festivals

10 to see at the Edinburgh Film Festival 2021

By Josh Slater-Williams

10 to see at the Edinburgh Film Festival 2021

10 great

10 great horror sequels

By Josh Slater-Williams

10 great horror sequels