Interviews
François Ozon on his adaptation of Albert Camus’s The Stranger: “The idea was to make a very erotic movie”
François Ozon has brought Albert Camus’s classic existentialist novel The Stranger to the screen in brooding, Bressonian black-and-white. He tells us about drawing out the sensual elements of the story and its colonial context.
By Lillian Crawford
François Ozon on his adaptation of Albert Camus’s The Stranger: “The idea was to make a very erotic movie”