Louis Marcorelles

All articles by Louis Marcorelles

From the Sight and Sound archive

Views of the New Wave: Godard and Rohmer’s first features

In our Spring 1960 issue, we evaluated the masterful debuts of two then-unknown filmmakers: Jean-Luc Godard’s Breathless and Eric Rohmer’s The Sign of Leo.

By Louis Marcorelles

Views of the New Wave: Godard and Rohmer’s first features
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