Richard Combs

All articles by Richard Combs

From the Sight and Sound archive

Hell up in the Bronx: Richard Combs reviews Gloria and Raging Bull

In our 1981 Spring issue, Richard Combs looked at the underworld connections of John Cassavetes’ Gloria and Martin Scorsese’s Raging Bull.

By Richard Combs

Hell up in the Bronx: Richard Combs reviews Gloria and Raging Bull

From the Sight and Sound archive

“Scorsese has become the threnodist of frustration”: After Hours reviewed in 1986

By Richard Combs

“Scorsese has become the threnodist of frustration”: After Hours reviewed in 1986

From the Sight and Sound archive

The eyes of Texas: Terrence Malick’s Days of Heaven

By Richard Combs

The eyes of Texas: Terrence Malick’s Days of Heaven

From the Sight and Sound archive

‘The epic that Sidney Lumet has been promising for years’: Serpico reviewed in 1974

By Richard Combs

‘The epic that Sidney Lumet has been promising for years’: Serpico reviewed in 1974

Reviews

‘Pushes The French Connection onto more dangerous ground’: To Live and Die in L.A. reviewed in 1986

By Richard Combs

‘Pushes The French Connection onto more dangerous ground’: To Live and Die in L.A. reviewed in 1986

From the Sight and Sound archive

A close encounter with Steven Spielberg

By Richard Combs

A close encounter with Steven Spielberg

From the Sight and Sound archive

The man in the cryogenic freezer: an interview with John Carpenter

By Tom Milne and Richard Combs

The man in the cryogenic freezer: an interview with John Carpenter