Anchalee Chaiworaporn
film critic and scholar
Thailand
Voted for
| Film | Year | Director |
|---|---|---|
| À bout de souffle | 1960 | Jean-Luc Godard |
| Parasite | 2019 | Bong Joon-ho |
| Happy Together | 1997 | Wong Kar Wai |
| Memoria | 2021 | Apichatpong Weerasethakul |
| Rashomon | 1950 | Akira Kurosawa |
| The Piano | 1992 | Jane Campion |
| The 400 Blows | 1959 | François Truffaut |
| Pulp Fiction | 1994 | Quentin Tarantino |
| Psycho | 1960 | Alfred Hitchcock |
| L' EMPIRE DES SENS | 1976 | Nagisa Oshima |
Comments
À bout de souffle
Still full of energy and rebellious spirit which can apply to any new generation.
Parasite
So much detail to reflect class distinction, as well as South Korean politics, which can translate to everywhere in the world.
Happy Together
Full of personal reflections that go beyond Hong Kong to include the world of all lonely people.
Memoria
Perfect combination of an avant-garde masterpiece and a versatile actress, with a strong political background that could be anywhere in the world.
Rashomon
A simple story that goes into a full set of twists, supported by a perfect collaboration between performers.
The Piano
A complex masterpiece that reflects women's rights in the world in a way that can be applied to contemporary society, with full mastery of cinematic language.
The 400 Blows
Always full of the spirit and rebelliousness of the young.
Pulp Fiction
An ordinary story nicely made into a new form of filmmaking, with fun.
Psycho
A well-made genre film with complex storylines and narratives.
L' EMPIRE DES SENS
A silent masterpiece of sensuality and violence.