Sight and Sound presents the auteur series: Chantal Akerman
In a new edition of the series celebrating the work of the greatest auteur directors in history, we delve into our archives to revisit the radical cinema of Chantal Akerman, whose film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, was voted Greatest of All Time in 2022.
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On the cover: A world exclusive interview with Tom Cruise Inside: The latest edition of Black Film Bulletin, Wes Anderson on The Phoenician Scheme, the career of Mai Zetterling, the legacy of the Film Society, archive of the story of Japan's new wave, Andres Veiel in conversation, BFI’s Film on Film festival
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The Greatest Films of All Time
Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.
Find out moreLatest stories
Pillion: a feel-good British BDSM drama
Alexander Skarsgård’s Ray guides Harry Melling’s Colin through a journey of sexual discovery in Harry Lighton’s cleverly-written feature debut.
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Sentimental Value: an egotistical director tries to reconnect with his family through cinema in Joachim Trier’s gorgeous drama
By Sophie Monks Kaufman
Nouvelle Vague: Richard Linklater’s joyful tribute to the free spirits of French filmmaking
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“I never made a movie to just go make a movie, it was always an exploration of filmmaking”: our world exclusive interview with Tom Cruise
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Mission: Impossible – The Final Reckoning: could this be Ethan Hunt’s last hurrah?
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Sirât: Oliver Laxe’s thrilling desert parable lets the music take control
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Highest 2 Lowest: It’s solidarity versus capitalism in Spike Lee’s erratic kidnapping thriller
By Christina Newland
Sight and Sound back issues, indexes and archive
Browse and order our past issues, including specials; download our annual indexes; access our complete digital archive.
Find out moreMy Dream Palace
Ten key cinema workers on the way out of lockdown
By Katie McCabe and Isabel Stevens
“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras
By Nick Broomfield
Let there be projector light: 80 films that take us inside cinemas
By Thomas Flew
The Weekly Film Bulletin
Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.
See our weekly film bulletin archiveFrom our archives
An audience with Howard Hawks
By Joseph McBride and Michael Wilmington
Rhapsody in blue: Barry Jenkins on Moonlight
By Gaylene Gould
Keeping a distance: Chantal Akerman’s Jeanne Dielman
By Janet Bergstrom
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