Medusa Deluxe: lather overdone
With a plot as thin and unconvincing as a combover, Thomas Hardiman’s ‘one-take’ debut is as frivolous as it is flamboyant.
By Jessica Kiang
Head in the sand: the ending of Woman of the Dunes
By Violet Lucca
Arnold Is a Model Student: a wry Thai protest
By John Bleasdale
Stone Turtle: a Malaysian Groundhog Day folk tale
By Jessica Kiang
Where is Anne Frank: a warm, uncynical tribute to victims of persecution
By Alex Davidson
The magazine
Our Summer 2022 issue
In this issue: Quentin Tarantino on tape, the best film podcasts, Baz Luhrmann on Elvis, Warren Ellis on composing for film and Panah Panahi on Hit the Road. Plus: Black Film Bulletin, James Caan, Georges Méliès and more.
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Find out moreMy Dream Palace
“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras
By Nick Broomfield
Ten key cinema workers on the way out of lockdown
By Katie McCabe and Isabel Stevens
Let there be projector light: 80 films that take us inside cinemas
By Thomas Flew
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The female gaze: 100 overlooked films directed by women
The female gaze: 100 overlooked films directed by womenFrom our archives
Keeping a distance: Chantal Akerman’s Jeanne Dielman
By Janet Bergstrom
Rhapsody in blue: Barry Jenkins on Moonlight
By Gaylene Gould
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