The latest issue of Sight and Sound
In this packed (pink) issue: Barbie and the art of contradictions – the science of Oppenheimer – acting in the age of AI Plus: Yorgos Lanthimos’s Poor Things – David Thomson on Cormac McCarthy – Pedro Almodóvar at the movies – David Meeker on 2001: A Space Odyssey – Hollywood on Strike!
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The Greatest Films of All Time
Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.
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Support your local police movie
As Sidney Lumet’s biopic of whistleblower Frank Serpico returns to cinemas for its 50th anniversary, we look back to Philip French’s exploration of the burgeoning cop movie sub-genre, from our Spring 1974 issue.
By Philip French
Falling Stars: creepy, low-budget horror conjures the season of the witch
By John Bleasdale
Gran Turismo: a thoroughly entertaining but clichéd sporting underdog story
Gran Turismo: a thoroughly entertaining but clichéd sporting underdog story‘Pushes The French Connection onto more dangerous ground’: To Live and Die in L.A. reviewed in 1986
By Richard Combs
Meg 2: The Trench: enjoyable, over-the-top sharky schlock
By Anton Bitel
Paris Memories: an ambitious but flawed drama
By Jonathan Romney
Sight and Sound back issues, indexes and archive
Browse and order our past issues, including specials; download our annual indexes; access our complete digital archive.
Find out moreMy Dream Palace
“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras
By Nick Broomfield
Ten key cinema workers on the way out of lockdown
By Katie McCabe and Isabel Stevens
Let there be projector light: 80 films that take us inside cinemas
By Thomas Flew
The Weekly Film Bulletin
Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.
See our weekly film bulletin archiveSign up for Sight & Sound’s Weekly Film Bulletin and more
News, reviews and archive features every Friday, and information about our latest magazine once a month.
From our archives
Keeping a distance: Chantal Akerman’s Jeanne Dielman
By Janet Bergstrom
Rhapsody in blue: Barry Jenkins on Moonlight
By Gaylene Gould
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