Latest stories
“I was made for horror”: Barbara Steele is an angel for Satan
Barbara Steele, an icon of 1960s horror cinema who went on to work with the likes of Federico Fellini and Louis Malle, talks to David Cairns and Daniel Riccuito about death, dark fairytales and why she turned down Hammer.
By David Cairns
Satire with tweezers: Alexander Mackendrick’s The Ladykillers
By Philip Kemp
Borat Subsequent Moviefilm is another dose of superbly executed chaos in America’s heartlands
By Leigh Singer
WolfWalkers redraws the bounds of old Ireland’s hunters and hunted
By Andrew Osmond
One Man and His Shoes is an alarming depiction of fashion and its victims
By Michael Atkinson
Summer of ’85 takes us down once more to the shoreline of François Ozon’s youth
By Alex Ramon
His House gives a displaced couple no happy home
By Kim Newman
Read our LFF reviews
Time is a powerful distillation of lives divided
By Nadine Deller
Genus Pan takes a journey to the heart of Filipino darkness
By Jordan Cronk
Another Round review: Mads Mikkelsen and pals uncork their spirits
By Jessica Kiang
Undine is Christian Petzold’s slippery love song to Berlin
By Giovanni Marchini Camia
The Disciple review: Chaitanya Tamhane considers the limits of musical control
By Kaleem Aftab
The magazine
Sight & Sound: the November 2020 issue
Horror special: Rose Glass on Saint Maud and the horror of 2020, plus Psycho at 60, Ben Wheatley’s Rebecca, Relic, Host, His House, Barbara Steele, The Haunting of Bly Manor, found footage horror, Shirley, Time, Mogul Mowgli and more.
Read more and get a copySight & Sound back issues, annual index and archive
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An extra helping of Sight & Sound, the Weekly Film Bulletin keeps you in touch with what’s happening in digital film culture, from news and recommendations to our latest reviews and a sample of our archive content.
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From our archives
Kenneth Tynan on Greta Garbo: “The ecstasy of existing”
By Kenneth Tynan
Meet whiplash Wilder: Billy Wilder interviewed in 1967
By Charles Higham
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