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Festivals

With its cinemas closed, Thessaloniki’s 61st film festival opened some virtual doors

Like so many festivals this year, Thessaloniki’s online 2020 edition made the best of a sad hand.

By Georgia Korossi

With its cinemas closed, Thessaloniki’s 61st film festival opened some virtual doors
Interviews

“Incompetence was killing the victims”: Alexander Nanau on his health-service exposé Collective

By Nick Bradshaw

“Incompetence was killing the victims”: Alexander Nanau on his health-service exposé Collective
My Dream Palace

“Cinema is my happy place”: Francis Lee celebrates cinemas as community spaces

By Francis Lee

“Cinema is my happy place”: Francis Lee celebrates cinemas as community spaces
Reviews

Collective takes a scalpel to the contagion of corruption

By Trevor Johnston

Collective takes a scalpel to the contagion of corruption
From the Sight and Sound archive

“Welcome to the circle. Bang bang”: Iain Sinclair on King of New York

By Iain Sinclair

“Welcome to the circle. Bang bang”: Iain Sinclair on King of New York
Reviews

Mank nips itself in the Rosebud

By Henry K Miller

Mank nips itself in the Rosebud
Reviews

Lovers Rock finds a sanctuary for Black love

By Nadine Deller

Lovers Rock finds a sanctuary for Black love
See more articles

The magazine

Sight & Sound: the December 2020 issue

Steve McQueen talks Small Axe and the Britain it was born from with historian David Olusoga. Plus Roy Andersson, Pedro Almodóvar, Mank, Ennio Morricone, and Louise Brooks on Lilian Gish and Greta Garbo.

Read more and get a copy

The Weekly Film Bulletin

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Polls

The 100 Greatest Films of All Time

The 100 Greatest Films of All Time

The 50 best films of 2019

The 50 best films of 2019

Forgotten treasures of the multiplex

By Ryan Gilbey

Forgotten treasures of the multiplex
See all our polls

From our archives

“Welcome to the circle. Bang bang”: Iain Sinclair on King of New York

By Iain Sinclair

“Welcome to the circle. Bang bang”: Iain Sinclair on King of New York

Blood and redemption: Lizzie Borden on Raging Bull and male inhibition

By Lizzie Borden

Blood and redemption: Lizzie Borden on Raging Bull and male inhibition

On being Black in film noir

By Angelica Jade Bastién

On being Black in film noir
See all features from our archives

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