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The Innocents stages the moral growth of children with a supernatural twist

Eskil Vogt’s bracing drama explores empathy, malevolence and lost innocence through the eyes of a quartet of lonely children with diverse superpowers.

By Anton Bitel

The Innocents stages the moral growth of children with a supernatural twist
Festivals

Final Cut! makes a self-satisfied muddle out of its zombie-horror spoof

By Christina Newland

Final Cut! makes a self-satisfied muddle out of its zombie-horror spoof
Reviews

Tokyo Vice gives its crime-world probings the Michael Mann stamp

By Jason Anderson

Tokyo Vice gives its crime-world probings the Michael Mann stamp
Reviews

Benediction: Terence Davies’ Siegfried Sassoon portrait is a film of waning power

By Alex Ramon

Benediction: Terence Davies’ Siegfried Sassoon portrait is a film of waning power
Reviews

A-ha: the Movie finds Norway’s synth-pop legends still haunted by the fame dream

By Simran Hans

A-ha: the Movie finds Norway’s synth-pop legends still haunted by the fame dream
Reviews

Conversations with Friends dampens Sally Rooney’s love quadrangle

By Ruairí McCann

Conversations with Friends dampens Sally Rooney’s love quadrangle
Reviews

The Essex Serpent draws Claire Danes and Tom Hiddleston into its misty late-Victorian maws

By Kate Stables

The Essex Serpent draws Claire Danes and Tom Hiddleston into its misty late-Victorian maws
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The magazine

Our June 2022 issue

In this issue, we join Mia Hansen-Løve on Bergman Island. Also, we speak to David Lynch and more on the digital revolution, take a trip to the movies with Joachim Trier, and hear from Terence Davies and John Waters.

Read more and get a copy

My Dream Palace

“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras

By Nick Broomfield

“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras

Ten key cinema workers on the way out of lockdown

By Katie McCabe

Ten key cinema workers on the way out of lockdown

Let there be projector light: 80 films that take us inside cinemas

By Thomas Flew

Let there be projector light: 80 films that take us inside cinemas
See more

The Weekly Film Bulletin

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News, reviews and archive features every Friday, and information about our latest magazine once a month.

Polls and surveys

The 100 Greatest Films of All Time

The 100 Greatest Films of All Time

The 50 best films of 2020

The 50 best films of 2020

The female gaze: 100 overlooked films directed by women

The female gaze: 100 overlooked films directed by women
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From our archives

Keeping a distance: Chantal Akerman’s Jeanne Dielman

By Janet Bergstrom

Keeping a distance: Chantal Akerman’s Jeanne Dielman

An audience with Howard Hawks

By Joseph McBride

An audience with Howard Hawks

Rhapsody in blue: Barry Jenkins on Moonlight

By Gaylene Gould

Rhapsody in blue: Barry Jenkins on Moonlight
See all features from our archives

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