Reviews

Fortune Favours Lady Nikuko: a playful response to Studio Ghibli

This production from Studio 4°C celebrates the rhythms and rites of daily life; the deliberate dissonance of its drawn styles ultimately gives way to a tender pathos.

By Andrew Osmond

Fortune Favours Lady Nikuko: a playful response to Studio Ghibli
Festivals

Fairytale: deep-fake dictators in a nitrate nightmare

By John Bleasdale

Fairytale: deep-fake dictators in a nitrate nightmare
Talkies

The long take: filmic fragility

By Pamela Hutchinson

The long take: filmic fragility
Festivals

Ariyippu: a plague on both your spouses

By John Bleasdale

Ariyippu: a plague on both your spouses
Festivals

Human Flowers of Flesh: a Mediterranean marvel

By James Lattimer

Human Flowers of Flesh: a Mediterranean marvel
Reviews

Vengeance is Mine, All Others Pay Cash: as juicy as it sounds

By Tony Rayns

Vengeance is Mine, All Others Pay Cash: as juicy as it sounds
From the Sight and Sound archive

The mother, the whore and the dandy

By Keith Reader

The mother, the whore and the dandy
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The magazine

Our Summer 2022 issue

In this issue: Quentin Tarantino on tape, the best film podcasts, Baz Luhrmann on Elvis, Warren Ellis on composing for film and Panah Panahi on Hit the Road. Plus: Black Film Bulletin, James Caan, Georges Méliès and more.

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My Dream Palace

“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras

By Nick Broomfield

“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras

Ten key cinema workers on the way out of lockdown

By Katie McCabe

Ten key cinema workers on the way out of lockdown

Let there be projector light: 80 films that take us inside cinemas

By Thomas Flew

Let there be projector light: 80 films that take us inside cinemas
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Polls and surveys

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The 50 best films of 2020

The female gaze: 100 overlooked films directed by women

The female gaze: 100 overlooked films directed by women
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From our archives

Keeping a distance: Chantal Akerman’s Jeanne Dielman

By Janet Bergstrom

Keeping a distance: Chantal Akerman’s Jeanne Dielman

An audience with Howard Hawks

By Joseph McBride

An audience with Howard Hawks

Rhapsody in blue: Barry Jenkins on Moonlight

By Gaylene Gould

Rhapsody in blue: Barry Jenkins on Moonlight
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