Sight and Sound presents the auteur series: Chantal Akerman
In a new edition of the series celebrating the work of the greatest auteur directors in history, we delve into our archives to revisit the radical cinema of Chantal Akerman, whose film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, was voted Greatest of All Time in 2022.
Get your copyThe new issue of Sight and Sound
On the cover: 1975, the year that changed cinema forever. From Jaws to Jeanne Dielman Inside: Cannes 2025 bulletin, Athina Rachel Tsangari on Harvest, David Cronenberg interviewed by Erika Balsom and we revisit Peter Wollen's 1993 article on Jurassic Park.
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The Greatest Films of All Time
Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.
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1975: the year that changed cinema forever
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Sight and Sound back issues, indexes and archive
Browse and order our past issues, including specials; download our annual indexes; access our complete digital archive.
Find out moreMy Dream Palace
Ten key cinema workers on the way out of lockdown
By Katie McCabe and Isabel Stevens
“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras
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Let there be projector light: 80 films that take us inside cinemas
By Thomas Flew
The Weekly Film Bulletin
Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.
See our weekly film bulletin archiveFrom our archives
Rhapsody in blue: Barry Jenkins on Moonlight
By Gaylene Gould
Keeping a distance: Chantal Akerman’s Jeanne Dielman
By Janet Bergstrom
An audience with Howard Hawks
By Joseph McBride and Michael Wilmington
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