The new issue of Sight and Sound
On the cover: Payal Kapadia on identity and her brilliant film All We Imagine as Light Inside: David Lynch’s musings, Andrea Arnold on Bird, Ralph Fiennes and Edward Berger on Conclave, archive Isabelle Huppert and the latest edition of Black Film Bulletin
Get your copyThe Greatest Films of All Time
Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.
Find out moreLatest stories
Favoriten: the classroom becomes a model for society in Ruth Beckermann’s compassionate doc
Austrian filmmaker Ruth Beckermann takes an unhurried and optimistic approach to documenting a class of primary school children in the working-class Viennese neighbourhood of Favoriten.
Grand Theft Hamlet: a play inside a video game? Madness, but there’s method in it
By Gayle Sequeira
On Becoming a Guinea Fowl: Rungano Nyoni finds elegant magic in the most painful places
By Leila Latif
Ian McEwan on collaborating with Richard Eyre for The Ploughman’s Lunch
By Jill Forbes
Nightbitch: Marielle Heller depicts the challenges of motherhood with a satirical bite
By Savina Petkova
Rumours: How Guy Maddin learned to stop worrying and love the bog
By Saffron Maeve
The Lubitsch touch in The Shop Around the Corner
By Nick James
Sight and Sound back issues, indexes and archive
Browse and order our past issues, including specials; download our annual indexes; access our complete digital archive.
Find out moreMy Dream Palace
“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras
By Nick Broomfield
Ten key cinema workers on the way out of lockdown
By Katie McCabe and Isabel Stevens
Let there be projector light: 80 films that take us inside cinemas
By Thomas Flew
The Weekly Film Bulletin
Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.
See our weekly film bulletin archiveFrom our archives
An audience with Howard Hawks
By Joseph McBride and Michael Wilmington
Keeping a distance: Chantal Akerman’s Jeanne Dielman
By Janet Bergstrom
Rhapsody in blue: Barry Jenkins on Moonlight
By Gaylene Gould
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