Reviews

Fortune Favours Lady Nikuko: a playful response to Studio Ghibli

This production from Studio 4°C celebrates the rhythms and rites of daily life; the deliberate dissonance of its drawn styles ultimately gives way to a tender pathos.

By Andrew Osmond

Fortune Favours Lady Nikuko: a playful response to Studio Ghibli
Festivals

Fairytale: deep-fake dictators in a nitrate nightmare

By John Bleasdale

Fairytale: deep-fake dictators in a nitrate nightmare
Talkies

The long take: filmic fragility

By Pamela Hutchinson

The long take: filmic fragility
Festivals

Ariyippu: a plague on both your spouses

By John Bleasdale

Ariyippu: a plague on both your spouses
Festivals

Human Flowers of Flesh: a Mediterranean marvel

By James Lattimer

Human Flowers of Flesh: a Mediterranean marvel
Reviews

Vengeance is Mine, All Others Pay Cash: as juicy as it sounds

By Tony Rayns

Vengeance is Mine, All Others Pay Cash: as juicy as it sounds
From the Sight and Sound archive

The mother, the whore and the dandy

By Keith Reader

The mother, the whore and the dandy
See more articles

The magazine

Our Summer 2022 issue

In this issue: Quentin Tarantino on tape, the best film podcasts, Baz Luhrmann on Elvis, Warren Ellis on composing for film and Panah Panahi on Hit the Road. Plus: Black Film Bulletin, James Caan, Georges Méliès and more.

Read more and get a copy

My Dream Palace

“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras

By Nick Broomfield

“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras

Ten key cinema workers on the way out of lockdown

By Katie McCabe

Ten key cinema workers on the way out of lockdown

Let there be projector light: 80 films that take us inside cinemas

By Thomas Flew

Let there be projector light: 80 films that take us inside cinemas
See more

The Weekly Film Bulletin

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News, reviews and archive features every Friday, and information about our latest magazine once a month.

Polls and surveys

The 100 Greatest Films of All Time

The 100 Greatest Films of All Time

The 50 best films of 2020

The 50 best films of 2020

The female gaze: 100 overlooked films directed by women

The female gaze: 100 overlooked films directed by women
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From our archives

Keeping a distance: Chantal Akerman’s Jeanne Dielman

By Janet Bergstrom

Keeping a distance: Chantal Akerman’s Jeanne Dielman

An audience with Howard Hawks

By Joseph McBride

An audience with Howard Hawks

Rhapsody in blue: Barry Jenkins on Moonlight

By Gaylene Gould

Rhapsody in blue: Barry Jenkins on Moonlight
See all features from our archives

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