The new issue of Sight and Sound
We count down the 50 best films of 2023 – how many have you seen? Plus: The spirit of Scala!!! – Alexander Payne on The Holdovers – Michael Mann on Ferrari – The Boy and the Heron – In memoriam 2023 – Lila Avilés on Totém – 2024 preview
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The Greatest Films of All Time
Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.
Find out moreLatest stories
Kneecap: a biopic is only the beginning for this anarchic Belfast hip hop trio
Belfast rap group Kneecap rail against British imperialism and fight for the Irish language in this outlandish, exhilarating film based on the band’s origin story.
By Thomas Flew
Look Into My Eyes: exquisitely made documentary about New York City psychics puts compassion before cynicism
By Nicolas Rapold
Baghead: a trickster witch communes with the dead from a pub in Alberto Corredor’s assured horror
By Anton Bitel
Love Lies Bleeding: this bodybuilding melodrama is a film of passionate extremes
By Nicolas Rapold
This Blessed Plot: Marc Isaacs tackles grief, madness, betrayal and England’s ghosts in a mischievous docudrama
By Nick Bradshaw
Presence: this suburban ghost story is one of Steven Soderbergh’s best go-for-broke experiments yet
By Nicolas Rapold
Krazy House: 1990s sitcom spoof is startlingly unfunny
By Anton Bitel
Sight and Sound back issues, indexes and archive
Browse and order our past issues, including specials; download our annual indexes; access our complete digital archive.
Find out moreMy Dream Palace
“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras
By Nick Broomfield
Ten key cinema workers on the way out of lockdown
By Katie McCabe and Isabel Stevens
Let there be projector light: 80 films that take us inside cinemas
By Thomas Flew
The Weekly Film Bulletin
Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.
See our weekly film bulletin archiveFrom our archives
Keeping a distance: Chantal Akerman’s Jeanne Dielman
By Janet Bergstrom
Rhapsody in blue: Barry Jenkins on Moonlight
By Gaylene Gould
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