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Horror islands: seven British domestic shockers (and an American special case) at Halloween FrightFest 2020
FrightFest’s ambitious October extravaganza – planned as a physical festival but now online – includes a windfall of poison apples from our not always green and pleasant land.
By Anton Bitel
Rhonda Fleming, a star in black and white and Technicolor
By Pamela Hutchinson
The Salt in Our Waters kicks up stormy arguments in the Ganges Delta
By Thomas Flew
Love to death: Hitchcock, Du Maurier and Rebecca
By Alison Light
Body of Water gives us haunting fragments of a photographer’s anorexia
By Catherine Wheatley
Eyimofe (This Is My Desire) charts broken dreams of migration in an indomitable Lagos
By Chrystel Oloukoi
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Time is a powerful distillation of lives divided
By Nadine Deller
Genus Pan takes a journey to the heart of Filipino darkness
By Jordan Cronk
Another Round review: Mads Mikkelsen and pals uncork their spirits
By Jessica Kiang
Undine is Christian Petzold’s slippery love song to Berlin
By Giovanni Marchini Camia
The Disciple review: Chaitanya Tamhane considers the limits of musical control
By Kaleem Aftab
The magazine
Sight & Sound: the November 2020 issue
Horror special: Rose Glass on Saint Maud and the horror of 2020, plus Psycho at 60, Ben Wheatley’s Rebecca, Relic, Host, His House, Barbara Steele, The Haunting of Bly Manor, found footage horror, Shirley, Time, Mogul Mowgli and more.
Read more and get a copySight & Sound back issues, annual index and archive
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An extra helping of Sight & Sound, the Weekly Film Bulletin keeps you in touch with what’s happening in digital film culture, from news and recommendations to our latest reviews and a sample of our archive content.
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From our archives
Kenneth Tynan on Greta Garbo: “The ecstasy of existing”
By Kenneth Tynan
Meet whiplash Wilder: Billy Wilder interviewed in 1967
By Charles Higham
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