Latest stories
The Innocents stages the moral growth of children with a supernatural twist
Eskil Vogt’s bracing drama explores empathy, malevolence and lost innocence through the eyes of a quartet of lonely children with diverse superpowers.
By Anton Bitel
Final Cut! makes a self-satisfied muddle out of its zombie-horror spoof
By Christina Newland
Tokyo Vice gives its crime-world probings the Michael Mann stamp
By Jason Anderson
Benediction: Terence Davies’ Siegfried Sassoon portrait is a film of waning power
By Alex Ramon
A-ha: the Movie finds Norway’s synth-pop legends still haunted by the fame dream
By Simran Hans
Conversations with Friends dampens Sally Rooney’s love quadrangle
By Ruairí McCann
The Essex Serpent draws Claire Danes and Tom Hiddleston into its misty late-Victorian maws
By Kate Stables
The magazine
Our June 2022 issue
In this issue, we join Mia Hansen-Løve on Bergman Island. Also, we speak to David Lynch and more on the digital revolution, take a trip to the movies with Joachim Trier, and hear from Terence Davies and John Waters.
Read more and get a copySight and Sound back issues, indexes and archive
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Find out moreMy Dream Palace
“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras
By Nick Broomfield
Ten key cinema workers on the way out of lockdown
By Katie McCabe
Let there be projector light: 80 films that take us inside cinemas
By Thomas Flew
The Weekly Film Bulletin
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Polls and surveys
The female gaze: 100 overlooked films directed by women
The female gaze: 100 overlooked films directed by womenFrom our archives
Keeping a distance: Chantal Akerman’s Jeanne Dielman
By Janet Bergstrom
Rhapsody in blue: Barry Jenkins on Moonlight
By Gaylene Gould
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