Fritz Lang’s silent epics of intrigue and iniquity had all but invented the crime genre on film, and with M he laid the blueprint for every serial killer film that followed in its wake. While the opening scenes – when a schoolgirl is ominously presented with a balloon by a stranger in silhouette – create an atmosphere of dread, daringly the director later establishes the killer Hans Beckert as a figure of pathos.

Lang is more concerned with a clinical examination of the cross-section of Berlin society – the politicians, the businessmen, the organised criminals – whose self-serving interests are compromised by Beckert’s freedom. Lorre’s creepy, bulging-eyed performance as the killer who can’t help himself quickly attracted the attention of Hollywood, where he made a career playing sinister desperados.

“The greatest of the early talkies.” Andreas Kilb

“M is a dark symphony about Berlin at the dawn of the 20s. A whole era is reflected on the face of one man – a man suffering from “a social evil”, as Lang would say. Hans Beckert, the character played by Peter Lorre, meets the fury of the crowd; they are about to lynch him. But Lang is always on the side of those who try to understand human behaviour.” Miquel Escudero Diéguez

“A film that interrogates the complex, ambiguous nature of the human soul and notions of law and justice, with a mise en scène of rare stylistic perfection that combines German expressionism with the absolute power of offscreen and sound.” Giulio Casadei

“A lively, important work from the early sound era, its ingenious use of audio technique is still worth examining today.” Zhang Ling

Film	Year	Director
Anatomy of a Murder	1959	Otto Preminger
A Brighter Summer Day	1991	Edward Yang
It's a Wonderful Life	1947	Frank Capra
Late Spring	1949	Yasujirō Ozu
ZENDEGI VA DIGAR HICH...	1992	Abbas Kiarostami
M	1931	Fritz Lang
A Man Escaped	1956	Robert Bresson
North by Northwest	1959	Alfred Hitchcock
La Règle du jeu	1939	Jean Renoir
Vivre sa vie	1962	Jean-Luc Godard

Christian Keathley

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