|Sergei M. Eisenstein
|Man with a Movie Camera
|Kuhle Wampe oder Wem Gehort die Welt?
|Laputa: Castle in the Sky
|Meshes of the Afternoon
|Maya Deren, Alexander Hackenschmied
|L' HIPPOCAMPE OU "CHEVAL MARIN"
|Spider-Man Into the Spider-Verse
|Bob Persichetti, Peter Ramsey, Rodney Rothman
Dynamic storytelling that communicates after 100 years.
A Shakespearean sense of fate with humour, irony, horror and tragedy.
Man with a Movie Camera
Cinema gets conscious and self-conscious. A better title is Movie Camera with a Man.
Kuhle Wampe oder Wem Gehort die Welt?
Episodic communist commitments.
Laputa: Castle in the Sky
It understands the power of crystals in the way the German Romantics did.
Meshes of the Afternoon
Shadow, knife, sex, surreal.
A combination of a scene and a city adding up to more than enough.
Without it a lot would be missing, some which would not be missed, but still…
L' HIPPOCAMPE OU "CHEVAL MARIN"
Revealing the surreal aspects of the world, artforms in nature, nature as art.
Spider-Man Into the Spider-Verse
On the edge of real and unreal, through rotoscope and CGI, in the service of being on the edge of unreal, New York of the 1980s, New York of the imagination.
All is pro-visional.