Kleber Mendonça Filho
Filmmaker, Film Programmer
Brazil
Voted for
| Film | Year | Director |
|---|---|---|
| Twenty Years Later | 1984 | Eduardo Coutinho |
| Come and See | 1985 | Elem Klimov |
| Mad Max 2 | 1981 | George Miller |
| PIXOTE A LEI DO MAIS FRACO | 1981 | Hector Babenco |
| Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles | 1975 | Chantal Akerman |
| La Jetée | 1962 | Chris Marker |
| Fitzcarraldo | 1981 | Werner Herzog |
| La ciénaga | 2001 | Lucrecia Martel |
| A Brighter Summer Day | 1991 | Edward Yang |
| Dogville | 2003 | Lars von Trier |
Comments
Twenty Years Later
1984 Brazil
The brutal logic of Brazil and its history. A diaspora of violence, very much about love itself. A masterpiece.
Come and See
1985 USSR, Byelorussian SSR, Russian SFSR
Still underseen for the the astonishing work of cinema it is.
Mad Max 2
1981 Australia
Cinema the moving image.
PIXOTE A LEI DO MAIS FRACO
1981 Brazil
Children – to love them, to protect them, to try and show them respect and education.
Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles
1975 Belgium, France
Time has always been a good friend to Akerman's Jeanne D.
La Jetée
1962 France
The cinema dream.
Fitzcarraldo
1981 Federal Republic of Germany, Peru
A mind-altering substance of a film when I was 15, has not changed a bit all these years. And it is unique.
La ciénaga
2001 Argentina, USA, Japan, France, Switzerland, Spain, Brazil
The ghosts of realism.
A Brighter Summer Day
1991 Taiwan
A beautiful film.
Dogville
2003 Denmark, Sweden, France, United Kingdom, Germany
A beautiful fairytale about the United States of America.