|Belle de jour
|Lars von Trier
|Pier Paolo Pasolini
|Paul Thomas Anderson
For its visual universe and the letter at the end read out loud by Jeanne Moreau.
For its brain-changing structure and its cinematic language
Belle de jour
For its psychological journey and the hole in the sock of Pierre Clémenti.
For its strong pivotal structure and the pulling threads of depression.
For its dry visual preciseness and its story structure.
For its moving language and the boldness of the dance scene.
For always making me happy.
For Jared Harris in the car with Laura Dern and for Lily Gladstone outside the building where Kristen Stewart works.
For the man and his sisters and its visual boldness.
For holding its breath, withholding information and being as sharp as a knife.