Meet the Film Fund team

We work across film development and production, audience development, and operations and partnerships.

Ben Roberts, Deputy Chief Executive

Ben Roberts is BFI Deputy Chief Executive and is responsible for overseeing the BFI’s Lottery investments in film development, production and distribution, along with the BFI’s international activities.

He has 15 years’ experience in the film industry, across international sales, studio acquisitions, UK distribution and film finance, gained during his time as CEO of Protagonist Pictures, and before that at Universal Pictures International and independent UK distributor Metrodome. His first job in film was as a part-time usher at Showcase Cinemas in Coventry.

Development and Production

Mary Burke, Senior Production and Development Executive

Mary Burke was appointed as Senior Production and Development Executive at the BFI Film Fund in Sept 2015. With 16 years of experience in production and development, Mary joined from Warp Films, where she was Producer and board member.

Burke identifies and supports a diverse range of British feature film projects, working closely with writers, directors and producers across development and production.

While at the BFI, she has executive produced several outstanding British films including God’s Own Country written and directed by Francis Lee and BAFTA-winning I Am Not a Witchwritten and directed by Rungano Nyoni. Burke also executive produced Sundance hit Colette directed by Wash Westmoreland and written by Rebecca Lenkiweicz as well as Idris Elba’s debut Yardie.

Burke’s producer credits at Warp Films include Bunny and the Bull, the 2009 feature debut from Paul King, who went on to direct Paddington in 2014; Submarine the feature BAFTA and BIFA-winning debut of Richard Ayoade; Paul Wright’s For Those In Peril, which premiered in Critics’ Week at Cannes in 2013 and won two BAFTAs; Berberian Sound Studio, the critically acclaimed and multiple award-winning second feature from Peter Strickland; and Chris Waitt’s feature documentary A Complete History Of My Sexual Failures, which premiered at the 2008 Sundance Film Festival.

Lizzie Francke, Senior Development and Production Executive

Lizzie Francke is a Senior Production and Development Executive at the BFI’s Film Fund. She was formerly a Development Producer for the UK Film Council’s Development Fund where she oversaw the First Feature programme, out of which was developed such projects as The Arbor and Gone Too Far. Projects that she has exec produced while she has been at the BFI include ’71, Exhibition, The Selfish Giant, X+Y, The Duke of Burgundy and The Riot Club.

She started her career as a film critic in the early 1990s contributing to the Guardian, The Observer, Sight and Sound and Screen International amongst others. During this period she also wrote the book Script Girls: The History of Women Screenwriters in Hollywood (1994, BFI Publishing). In 1997 she was appointed Artistic Director of the Edinburgh International Film Festival and in her five years there re-established the festival as a key showcase for British cinema.

She moved into production in 2001, first for Little Bird where she co-produced Marc Evan’s thriller Trauma, then as Executive Producer for EM Media where her credits include Control, And When Did You Last See Your Father, Magicians, Complete History of My Sexual Failures and Better Things. She also acted as the British co-producer on Vinyan, the second film from the cult Belgian director Fabrice du Welz which was released in 2009.

Kristin Irving, Development and Production Executive

Kristin Irving is a Development and Production Executive at the BFI Film Fund. Prior to joining the BFI she worked in development for production company Portobello Pictures on films such as Pawel Pawlikowski’s Oscar-winning film IDA. After leaving Portobello she ran the development slate for film development financier Cascade Pictures, and also worked as a freelance script consultant.

Caragh Davison, BFI NETWORK Coordinator

Caragh works across BFI NETWORK’s new talent funding and professional development activity across the UK as well as managing the NETWORK website, organising events such as our flagship professional development programme, NETWORK@LFF and supporting the delivery of our partner work with BAFTA, British Council and BIFA among others. She first joined the BFI Film Fund in March 2017 as Executive Assistant to Ben Roberts and the Senior Production & Development Execs. Previously, she was working as an assistant at Creative England and before that spent two years as a Content Producer at a production company, working across short film and web content.

Marilyn Milgrom, Script Consultant

Marilyn is a freelance script consultant. In addition to the work she does for the Film Fund she is also a regular consultant to the European Producers’ Network ACE and to EKRAN, a feature development workshop based in Warsaw. She was Head of Development at the New Zealand Film Commission for four years (2007-2011), before which she was senior tutor with the Script Factory. In a previous life Marilyn worked as an actor, in casting and as a TV director and producer.

Fiona Morham, Head of Physical Production

After graduating from Queen’s University in Kingston, Ontario, Fiona moved to the UK. She began working in the film industry as a production runner on Wish You Were Here, directed by David Leland and produced by Sarah Radclyffe. She then joined Working Title Films in various production positions on films such as Chris Menge’s A World Apart, Stephen Frears’ The Grifters and Vincent Ward’s Map of the Human Heart. She freelanced as a line producer for Working Title’s award-winning TV series The Borrowers and The Return of The Borrowers before working briefly at the BFI as a production executive and then as a freelance producer with the BBC with directors such as Pawel Pawlikowski, John Akomfrah and John Mackay. In 2002 she joined the UK Film Council as Head of Production.

Natascha Wharton, Senior Development and Production Executive

She was born in Trinidad, to a Trinidadian father and German mother, and her introduction to cinema was at the local drive-in. Before joining the Film Fund, Natascha worked at Working Title Films, initially in the development department, across titles including Bridget Jones and Elizabeth but in 1999 set up a low budget division to support emerging filmmakers. The first film to be made through the label and executive produced by Wharton, was Stephen Daldry’s Billy Elliot. Ten films from emerging filmmakers followed, including Shaun of the Dead, My Little Eye and Hot Fuzz. Wharton continued to work on Working Title’s slate developing projects with a broad range of writers and directors and in 2010 served as Executive Producer on Greg Mottola’s alien comedy Paul.

Phoebe Sutherland, Development Coordinator

Phoebe joined the BFI as the Film Fund’s Development Coordinator in September 2018 and is responsible for managing the incoming development applications and deliveries.

Lauren Minto-Simpson, Development and Production Assistant

Lauren joined the Film Fund in September 2018 as Development and Production Assistant, providing administrative support to the Development and Production Executive Team.


Katie Ellen, Senior Manager, International Distribution and Commercial Strategy

Katie joined the BFI in 2011. Her role includes looking after the distribution of lottery funding for specialised and British films, with particular focus on New Models awards for films with alternative approaches to distribution, cross-media and creative marketing strategies. Katie also manages the Film Export Fund. Prior to working at the BFI, Katie worked at the UK Film Council in distribution and exhibition and production, and in production at Myriad Pictures, with previous roles in PR and finance.


Laura Glanville, Audiences Manager

Laura is a manager on the BFI Audience Fund. The Fund supports a range of audience-facing activities (eg film festivals, distribution, touring film programmes etc) with the aim of growing audiences for British independent and international film.

Ann Griffiths, Senior Manager, UK Audience Development

Ann is Senior Manager for UK Audience Development within the BFI Film Fund Audiences team and is responsible for the BFI Film Audience Network and the BFI Neighbourhood Cinema Fund. She has had an extensive and varied career at the BFI with a focus on audience facing activity outside London. As part of this she has overseen a number of initiatives including the first BFI Film Festivals Fund (in 1999) the roll out of the BFI Mediatheque to locations across the UK and the setting up of the BFI Audience Fund following the publication of Film Forever. Her particular area of specialism is supporting independent exhibition across the UK through funding, advice and advocacy.

Clare Harwood, UK Wide Audiences Manager

Prior to the BFI, Clare managed a small cinema in Central Scotland for nine years, where she was responsible for everything from programming and booking films, through film education projects to running the box office and even projecting the films on occasion. Taking a year out, Clare spent time travelling in South East Asia and South America. She then joined the BFI in 2007, making up one half of the small but perfectly formed Partnerships Department. Working with exhibitors and other organisations across the UK, her main role was to manage the creation and development of a series of BFI Mediatheques across the country.

She is now the lead officer for the Programming Development Fund, though also works closely with the BFI Film Audience Network, and the Distribution fund.

Ben Luxford, Head of UK Audiences

Ben Luxford is of Head of UK Audiences, responsible for a range of funds designed to bring great films to audiences across the UK. Ben worked in the UK Independent distribution sector for 10 years, releasing commercial, crossover and specialised titles (all of them great) into the UK market for companies such as Optimum Releasing (now Studiocanal UK), Artificial Eye and Koch Media. He has worked on over 200 titles including selling films such as This is England, Son of Rambow, Pan’s Labyrinth and We Need to Talk About Kevin into UK cinemas as well as overseeing all aspects of distribution for films including All This Mayhem, Amour, The Selfish Giant, The Great Beauty, Blue is the Warmest Colour and Le Week-end.

Sarah-Jane Meredith, Manager UK Wide Audiences, Audience Team

Sarah-Jane is one of three managers in the Audience Team and works across both the Audience Fund and the BFI Film Audience Network.

Lily van den Broecke, UK Audiences Coordinator

Lily supports the day-to-day running of the BFI Film Audience Network, working closely with colleagues in the BFI, as well as partners in the eight hubs across the UK, to deliver their strategic vision of ensuring the greatest choice of film is available for everyone. She is endlessly inspired by the number of screenings, events, projects and goings-on in independent film exhibition and how the sector can join up to support and learn from each other.

Operations and Partnerships

Liane Gillett, Senior Manager, Operations, Partners and Projects

Liane is the Senior Manager for Film Fund Operations, Partners and Projects. Her role includes oversight of all Film Fund processes as well as relationship management of BFI delegate partners which include Creative England, Film Cymru, Film London and Northern Ireland Screen. She transferred to the BFI in 2011 after joining the UK Film Council in 2009. Previously to that she spent 14 years at Feelgood Fiction Ltd, an award-winning independent film and television company, as both Company Manager and in-house script editor.

James Weddup, Project Partnerships Manager

James joined the Film Fund in December 2014, coming from the role of Grants Manager at the British Museum. He previously spent two years teaching undergraduate seminars in English Literature at the University of Virginia, and between 2008-10 worked for the National Theatre in their fund-raising team.

Arnold Voysey, Operations and Database Manager

Arnold started working at the British Film Institute in January 2018. He is responsible for the overall management of the grants database systems and processes across the organisation, which includes all aspects of the funding applications, awards management, project management, performance review, contracting, reporting and partner support.

Ruth Thompson, Operations, Partners and Projects Administrator

Ruth joined the Film Fund in May 2018 as OPPs Administrator. Her role includes providing support to the BFI NETWORK and its partners, as well as the wider Film Fund team.

  • Production and development funding

    Production and development funding

    We provide support for the production, development and completion of feature films which fairly reflect people from different backgrounds.

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  • Distribution and exhibition funding

    Distribution and exhibition funding

    We support high-quality British and independent releases, increase film choice for audiences and offer a springboard for UK film exports.

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