Chrystel Oloukoï
All articles by Chrystel Oloukoï
Interviews
In the Black Fantastic: a conversation with Ekow Eshun
To accompany his book and exhibition, In the Black Fantastic, Ekow Eshun has curated a season of visionary films exploring Black existence through sci-fi, myth and Afrofuturism. Here he maps out the terrain in conversation with film critic Chrystel Oloukoï.
By Chrystel Oloukoï
In the Black Fantastic: a conversation with Ekow Eshun
Festivals
Dakan, 25 years after: the queer landmark that haunts African film
By Chrystel Oloukoï
Reviews
Bantú Mama looks at the African diaspora through a contemporary lens
By Chrystel Oloukoï
What to watch at LFF
6 African films not to miss at the LFF
By Chrystel Oloukoï
Where to begin
Where to begin with Ousmane Sembène
By Chrystel Oloukoï
Features
A year of lockdown: the screen culture that got us through it
By Henry Barnes, Whelan Barzey and others
Interviews
Life before the Moomins: behind the scenes of a new biopic of creator Tove Jansson
By Chrystel Oloukoï
Festivals
Five recommendations at BFI Flare 2021
By Chrystel Oloukoï
Features
The Watermelon Woman at 25: the Black lesbian classic that wears its brilliance lightly
By Chrystel Oloukoï
Reviews
MLK/FBI narrows America’s race struggles to fit its spotlight
By Chrystel Oloukoï
Best of 2020
Lovers Rock finds respite and rapture in a Black London house party
By Chrystel Oloukoï
Reviews
Eyimofe (This Is My Desire) charts broken dreams of migration in an indomitable Lagos
By Chrystel Oloukoï
Reviews
Time audio review: How Garrett Bradley’s temporal symphony clocks the cruelty of mass incarceration
By Chrystel Oloukoï