All articles by Hannah McGill

Paris Calligrammes takes an autobiographical trip back to 1960s Paris

In the Earth descends into the madness of a haunted forest

The Pursuit of Love thinks too much of its selfish star

The Nevers is a cynical attempt at steampunk fantasy coolness

Sisters with Transistors tells a forgotten history of female electronic composers

There’s a good girl: Promising Young Woman and the virgin/whore trope

Framing Britney Spears joins the shame game

Can’t Get You out of My Head gets lost in its own thoughts

Assassins peers into the diplomatic murk and weirdness of a high-profile murder

The Dig lands old treasures on Netflix

Bridgerton’s meeting of Regency era and Gossip Girl makes a far from heavenly match

Remake/remodel: 45 weird and wonderful alternative film cuts

Black Narcissus successfully rethinks a classic novel and film

Red, White and Blue shows the Catch-22 of Black British advancement

Shirley doesn’t wholly come together as it picks Shirley Jackson apart

Dick Johnson Is Dead: resurrections beat the blues

I Hate Suzie review: Billie Piper’s tabloid target enters meltdown mode

Ratched review: Ken Kesey’s Big Nurse gets botched surgery

Forgotten treasures of the multiplex

Perfect 10 review: expectations are upended in this distinctive British debut

How to Build a Girl review: Caitlin Moran’s inky path to media stardom

Lynn + Lucy review: lost in the fog of grief

Becoming review: Michelle Obama promotes positivity

Crip Camp review: irreverence and activism in the glow of summertime

Toni Morrison: The Pieces I Am review: a neat portrait of a fearless writer

Incidental Characters review: trivial pursuits of self-involved people

When Lambs Become Lions review: an intimate documentary about the ivory trade

Buck Henry obituary: Hollywood’s irreverent and observant raconteur