All articles by Pamela Hutchinson
The long take: a Kyiv symphony
Nearly a century ago, the beauty of Ukraine was captured by the man with a movie camera.
By Pamela Hutchinson
Good Luck to You, Leo Grande: all the bed’s a stage
By Pamela Hutchinson
Writing with Fire: an inspirational fly-on-the-wall documentary about a newspaper run entirely by Dalit women
By Pamela Hutchinson
2021: the year in archive cinema
By Pamela Hutchinson
Sofia Coppola on the future of film
By Pamela Hutchinson
The Lost Daughter explores the dark side of motherhood with a risky drama that feels closer to a thriller
By Pamela Hutchinson
Natural Light is a film begrimed with the collective guilt of moral cowardice
By Pamela Hutchinson
The long take: No crying in journalism
By Pamela Hutchinson
10 great Hollywood melodramas of the 1940s
By Pamela Hutchinson
10 great British silent films
By Bryony Dixon, Neil Brand and others
After Love grieves for a house divided by the English Channel
By Pamela Hutchinson
My New York Year tenderly pens a literary assistant’s memoir
By Pamela Hutchinson
Finds of the century: 12 great films from 1921
By Bryony Dixon and Pamela Hutchinson
Cinema paradiso: a tour through the BFI Southbank’s history
By Pamela Hutchinson
Believe the hype? What NFTs mean for film
By Pamela Hutchinson
Your Honor knots together the high and low of a morally murky New Orleans
By Pamela Hutchinson
The most anticipated television of 2021
By Pamela Hutchinson
Beginning weighs subjugation and subservience in a Georgian religious sect
By Pamela Hutchinson
Remake/remodel: 45 weird and wonderful alternative film cuts
By James Bell, Tom Charity and others
Farewell Amor follows an immigrant family’s wanderings in their new land
By Pamela Hutchinson