All articles by Nick Bradshaw
“In a way it’s my apology to animals”: Victor Kossakovsky on his pig family portrait Gunda
A sow and her piglets, a one-legged chicken and some cows are the subjects of Russian documentary master Kossakovsky’s latest film, shot in lustrous black and white. The director talks about the power of cinema and why using it to tell stories just isn’t enough.
By Nick Bradshaw
13 films to watch at Sheffield DocFest 2021 – by the programmers
By Nick Bradshaw
“Culture is a smokescreen”: Adam Curtis on why art has lost its way
By Nick Bradshaw
“I’ve tried to remember I need to be having fun”: Don Hertzfeldt on World of Tomorrow
By Nick Bradshaw
“Incompetence was killing the victims”: Alexander Nanau on his health-service exposé Collective
By Nick Bradshaw
Forgotten treasures of the multiplex
By Ryan Gilbey, Nick James and others
Bringing up baby: Hosoda Mamoru on Mirai
By Nick Bradshaw
Trading places: Makoto Shinkai on Your Name
By Nick Bradshaw
Anime: the little word that conquered the world
By Nick Bradshaw
An A-Z of the 2010s in film
By Nick Bradshaw, Pamela Hutchinson and others
Raiders of the lost film archives: digging for movie history in Dawson City, Frozen Time and Notfilm
By Nick Bradshaw
Nik Powell obituary: a rolling stone in the British film world
By Nick Bradshaw
“The chimney needs sweeping”: Luke Moody on the end of his tenure programming Sheffield Doc/Fest
By Nick Bradshaw
Slow on the draw: Takahata Isao’s long road to The Tale of the Princess Kaguya
By Nick Bradshaw
Miguel Ferrer obituary: an authority figure with a comic-book edge
By Nick Bradshaw
The new guard: an interview with the new heads of Sheffield Doc/Fest
By Nick Bradshaw
Dear Monsieur Rivette… an invitation to write for Sight & Sound in 1964
By Nick Bradshaw
The Sight & Sound interview: James Benning
By Nick Bradshaw
Memories of murder: Rithy Panh on The Missing Picture
By Nick Bradshaw