All articles by Tom Charity
Ned Beatty brought a spark to his character parts
From Deliverance to Nashville to Network (and Toy Story 3), Beatty was the consummate actor – and astute about his directors, too.
By Tom Charity
Notturno is a lyrical evocation of Middle Eastern exodus
By Tom Charity
Remake/remodel: 45 weird and wonderful alternative film cuts
By James Bell, Tom Charity and others
Forgotten treasures of the multiplex
By Ryan Gilbey, Nick James and others
Blackbird review: this euthanasia drama trades hard truths for tasteful bromides
By Tom Charity
Greed review: Coogan and Winterbottom take idle aim at the grim rich
By Tom Charity
Hope Gap review: Annette Bening puts some puff into a little English separation story
By Tom Charity
Uncut Gems first look: the Safdies chase Adam Sandler’s gambler into the discomfort zone
By Tom Charity
The Personal History of David Copperfield gives Dickens a radical, rollicking twist
By Tom Charity
The Personal History of David Copperfield review: Armando Iannucci gives Dickens a radical, rollicking twist
By Tom Charity
Seymour Cassel obituary: a winning American loser
By Tom Charity
William Goldman obituary: beloved master Hollywood screenwriter
By Tom Charity
Real news from the heartlands: Wiseman, Moore and Morris take on Trump
By Tom Charity
Fahrenheit 11/9 first look: Michael Moore reclaims American populism
By Tom Charity
Shadow first look: Zhang Yimou doodles a wuxia intrigue
By Tom Charity
Sam Shepard obituary: cinema’s existential cowboy
By Tom Charity
A Season in France review: Mahamet-Saleh Haroun explores the precarious life of migrants
By Tom Charity
Harry Dean Stanton obituary: the lonely soul of US cinema
By Tom Charity
The Children Act review: Emma Thompson explores the heart of a judge
By Tom Charity
Battle of the Sexes review: Emma Stone and Steve Carell are a crowd-pleasing match
By Tom Charity
O.J.: Made in America review: the rise and downfall of the century?
By Tom Charity
Hermia & Helena review: Matías Piñeiro’s midsummer Manhattan dream
By Tom Charity
Abacus: Small Enough to Jail review – Steve James meets the minnows of mortgage fraud
By Tom Charity
Jackie review: portrait of the icon under the shadow
By Tom Charity
Cannes 2012: The wrong earlobes – The Imposter
By Tom Charity