All articles by Kambole Campbell
A year of lockdown: the screen culture that got us through it
A year after the UK went into its first lockdown on 23 March 2020, we asked some of our regular contributors what stands out for them from a time that found us turning to our screens like never before.
By Henry Barnes, Whelan Barzey and others
Wong Kar Wai’s needle-drops: a journey through his melancholic soundscapes
By Kambole Campbell
Rotterdam round-up: the best of the 2021 IFFR
By Kambole Campbell
Mogul Mowgli confronts Riz Ahmed’s rapper’s battle of the soul
By Kambole Campbell
Mulan review: live-action Disney remake feels more retrograde than the original
By Kambole Campbell
Critics’ talk: an introduction to anime (for BFI at Home)
By Michael Leader, Kambole Campbell and others
Family guy: The anime worlds of Mamoru Hosoda
By Kambole Campbell
How we animated Luis Buñuel – The making of Buñuel in the Labyrinth of the Turtles
By Kambole Campbell
The best Japanese film of every year – from 1925 to now
By Alejandra Armendáriz-Hernández, Kambole Campbell and others
The best musical of every year – from the dawn of sound to the rise of the jukebox musical
By Grace Barber-Plentie, Kambole Campbell and others
The best musical of every year – from the dawn of sound to the rise of the jukebox musical
By Grace Barber-Plentie, Kambole Campbell and others
Just Mercy first look: Michael B Jordan leads a legal rescue drama on the front lines of death row
By Kambole Campbell
Dolemite Is My Name: Eddie Murphy stars in a bawdy biopic of Rudy Ray Moore
By Kambole Campbell
Neon Genesis Evangelion: Return to Tokyo-3
By Kambole Campbell
Berlinale first look: A Colony captures a high-schooler’s tribal angst
By Kambole Campbell
Berlinale first look: The Boy Who Harnessed the Wind takes a fresh look at a familiar crisis
By Kambole Campbell
37 Seconds first look: debut filmmaker Hikari looks at desire and discrimination with compassion
By Kambole Campbell