All articles by Giovanni Marchini Camia
Crimes of the Future: insurgent surgery with David Cronenberg’s plastic people
The cyber-flesh visionary renews his compulsions, keeping tongue in cheek as Viggo Mortensen and Léa Seydoux’s body cut-up artists embrace the new thrills of microplastic assimilation.
By Giovanni Marchini Camia
Armageddon Time: James Gray reflects on his New York boyhood and loss of racial innocence
By Giovanni Marchini Camia
France shows that all the world’s a stage for the media
By Giovanni Marchini Camia
The Tsugua Diaries delights with a playful Portuguese puzzle
By Giovanni Marchini Camia
Annette sings up a storm of love, lust and lamentation
By Giovanni Marchini Camia
Martin Eden plays with history to tell a ragù to riches story
By Giovanni Marchini Camia
Ghost Strata continues Ben Rivers’ cinematic archaeology
By Giovanni Marchini Camia
Days: Tsai Ming-liang makes his peace with sexual release
By Giovanni Marchini Camia
Undine is Christian Petzold’s slippery love song to Berlin
By Giovanni Marchini Camia
The Whistlers review: Corneliu Porumboiu’s Canary Islands crime caper sings flat
By Giovanni Marchini Camia
Zombi Child first look: a post-colonial boarding-school voodoo horror
By Giovanni Marchini Camia
What should have won the 2019 Cannes Palme d’Or?
By Isabel Stevens, Nick James and others
Lux Æterna first look: Gaspar Noé builds a meta-movie bonfire
By Giovanni Marchini Camia
Non-Fiction first look: Juliette Binoche and Guillaume Canet talk out publishing’s digital takeover
By Giovanni Marchini Camia
The Favourite first look: Yorgos Lanthimos courts controversy but cops out
By Giovanni Marchini Camia
In My Room first look: Ulrich Köhler welcomes the apocalypse
By Giovanni Marchini Camia
Ash Is Purest White first look: Jia Zhangke’s magisterial mob critique
By Giovanni Marchini Camia
Dead Souls first look: Wang Bing meets the survivors of Mao’s Anti-Rightist purge
By Giovanni Marchini Camia
The Rare Event review: metaphysical gymnastics with Bens Rivers and Russell
By Giovanni Marchini Camia
Transit first look: Europe’s past is now in Christian Petzold’s purgatorial palimpsest
By Giovanni Marchini Camia
Infinite Football review: the new rules of the game
By Giovanni Marchini Camia
Claire’s Camera and The Day After review: two poles of the Hong Sangsoo affair
By Giovanni Marchini Camia
Perchance to dream: a long night with Apichatpong’s shorts
By Giovanni Marchini Camia