All articles by Philip Concannon
2021: the year in British cinema
The pandemic brought inspiration and frustration to UK filmmakers, in a year where new voices rang out
By Philip Concannon
Genre highlights at BFI London Film Festival 2021
By Philip Concannon
Boiling Point captures a chef’s night from hell filmed in one continuous shot
By Philip Concannon
“I hate making movies!”: Terry Gilliam on his cursed Don Quixote adaptation
By Philip Concannon
Il Cinema Ritrovato 2020: keeping film alive against all odds
By Philip Concannon
“People can justify awful things through their faith”: Antonio Campos on The Devil All the Time
By Philip Concannon
Queen & Slim review: a languid affair for two fugitive lovers
By Philip Concannon
1917 orchestrates World War I as a one-shot action ride
By Philip Concannon
“I know how to hype myself up now”: Robert Pattinson on making The Lighthouse
By Philip Concannon
Luce review: this race drama is a rigged game
By Philip Concannon
Mark Jenkin on Bait: “A sense of otherness is important”
By Philip Concannon
Bernardo Bertolucci obituary: an extraordinary director of visually outstanding cinema
By Philip Concannon
Podcast: Widows, Ash Is Purest White and three more highlights of the 2018 London Film Festival
By Isabel Stevens, Philip Concannon and others
Kevin Costner: 10 essential films
By Philip Concannon, Michael Leader and others
Kevin Costner: 10 essential films
By Philip Concannon, Michael Leader and others
Pat Collins: “Song of Granite is as much about humanity as it is about Irish identity”
By Philip Concannon