Georgia Korossi

Georgia is a digital content editor at the BFI and a writer whose work has appeared in Sight and Sound, LUX and IDA. She is also an independent curator and producer specialising in documentaries, artists’ films, visual anthropology and ethnographic research.

All articles by Georgia Korossi

Interviews

“It was a way of understanding my own generation”: Manuela Martelli on her snowbound Chilean drama The Meltdown

The award-winning director of 1976 talks to us about her second feature, a wintry coming-of-age drama set during Chile’s uneasy transition to democracy.

By Georgia Korossi

“It was a way of understanding my own generation”: Manuela Martelli on her snowbound Chilean drama The Meltdown

Features

Under the Arcadian sky: Gregory Markopoulos’s 80-hour epic Eniaios concludes at the Temenos

By Georgia Korossi

Under the Arcadian sky: Gregory Markopoulos’s 80-hour epic Eniaios concludes at the Temenos

Festivals

“People crave being in the dark together”: Bill Morrison looks back on Decasia and the shift to digital memory

By Georgia Korossi

“People crave being in the dark together”: Bill Morrison looks back on Decasia and the shift to digital memory

Interviews

Andrea Luka Zimmerman: “The 90s were amazing, but the brutal violence was real”

By Georgia Korossi

Andrea Luka Zimmerman: “The 90s were amazing, but the brutal violence was real”

Interviews

“Grief is more complex than an art project”: Maja-Ajmia Yde Zellama on Têtes brûlées

By Georgia Korossi

“Grief is more complex than an art project”: Maja-Ajmia Yde Zellama on Têtes brûlées

Festivals

From AI to Greek country life: highlights from Thessaloniki International Documentary Festival 2025

By Georgia Korossi

From AI to Greek country life: highlights from Thessaloniki International Documentary Festival 2025

Interviews

Mark Cousins on his portrait of a neglected painter: “Once you’re infected by an artist’s work, it’s timeless”

By Georgia Korossi

Mark Cousins on his portrait of a neglected painter: “Once you’re infected by an artist’s work, it’s timeless”

Interviews

“I tried to make the viewer a witness of this process of deterioration”: Sara Fgaier on her amnesia drama Weightless

By Georgia Korossi

“I tried to make the viewer a witness of this process of deterioration”: Sara Fgaier on her amnesia drama Weightless

Interviews

How we made our drug-war drama Sujo: “Many kids born into this crisis are now becoming adults”

By Georgia Korossi

How we made our drug-war drama Sujo: “Many kids born into this crisis are now becoming adults”

Interviews

”There was no Twitter back then to post what happened on the picket line”: how a new film tells the story of the Battle of Orgreave

By Georgia Korossi

”There was no Twitter back then to post what happened on the picket line”: how a new film tells the story of the Battle of Orgreave

Interviews

Pat Collins on his John McGahern adaptation That They May Face the Rising Sun

By Georgia Korossi

Pat Collins on his John McGahern adaptation That They May Face the Rising Sun

Interviews

The Summer with Carmen: Zacharias Mavroeidis on his metafictional gay comedy

By Georgia Korossi

The Summer with Carmen: Zacharias Mavroeidis on his metafictional gay comedy

Festivals

The view from Thessaloniki 2023

By Georgia Korossi

The view from Thessaloniki 2023

Interviews

“It’s a film about what’s kept in the body forever”: The Eternal Memory director Maite Alberdi on dementia, love and Chile’s dark history

By Georgia Korossi

“It’s a film about what’s kept in the body forever”: The Eternal Memory director Maite Alberdi on dementia, love and Chile’s dark history

Interviews

“Extended realities can change how you look at the world”: Ulrich Schrauth on LFF Expanded

By Georgia Korossi

“Extended realities can change how you look at the world”: Ulrich Schrauth on LFF Expanded

Interviews

How we made Name Me Lawand, the immersive documentary about deafness and communication

By Georgia Korossi

How we made Name Me Lawand, the immersive documentary about deafness and communication

Festivals

Highlights from Thessaloniki International Documentary Festival 2023

By Georgia Korossi

Highlights from Thessaloniki International Documentary Festival 2023

Festivals

Despatches from Thessaloniki International Film Festival 2022

By Georgia Korossi

Despatches from Thessaloniki International Film Festival 2022

Interviews

There’s no Greek weird wave: Jacqueline Lentzou on Moon, 66 Questions

By Georgia Korossi

There’s no Greek weird wave: Jacqueline Lentzou on Moon, 66 Questions

Features

In pictures: Scenes from the making of Theo Angelopoulos’s unfinished film The Other Sea

By Georgia Korossi

In pictures: Scenes from the making of Theo Angelopoulos’s unfinished film The Other Sea

Interviews

Artificial intelligence and archive film: how The Light Surgeons put a new spin on Japan’s earliest moving images

By Georgia Korossi

Artificial intelligence and archive film: how The Light Surgeons put a new spin on Japan’s earliest moving images

Lists

Remembering Scotland’s film poet Margaret Tait

By Georgia Korossi

Remembering Scotland’s film poet Margaret Tait

Interviews

A new dawn for Sudanese cinema: Amjad Abu Alala on You Will Die at Twenty

By Georgia Korossi

A new dawn for Sudanese cinema: Amjad Abu Alala on You Will Die at Twenty

Interviews

“Most people are discouraged from being creative”: Pat Collins on Henry Glassie: Field Work

By Georgia Korossi

“Most people are discouraged from being creative”: Pat Collins on Henry Glassie: Field Work

Festivals

With its cinemas closed, Thessaloniki’s 61st film festival opened some virtual doors

By Georgia Korossi

With its cinemas closed, Thessaloniki’s 61st film festival opened some virtual doors

Features

Sheffield Doc/Fest 2020: 10 films to try

By Georgia Korossi

Sheffield Doc/Fest 2020: 10 films to try

BFI Recommends

BFI Recommends: Crip Camp

By Georgia Korossi

BFI Recommends: Crip Camp

Features

5 things to see at Cinema Rediscovered 2019

By Georgia Korossi

5 things to see at Cinema Rediscovered 2019

Lists

90 great films of the 1990s

By Peter Hill, David Jenkins and others

90 great films of the 1990s

Interviews

For Sama: Waad al-Kateab and Edward Watts on their Cannes winning documentary

By Georgia Korossi

For Sama: Waad al-Kateab and Edward Watts on their Cannes winning documentary