All articles by Nick James

Rimini is a sleazy, cheesy and beautiful portrayal of an ageing ‘schlager’ singer

The Lubitsch touch in The Shop Around the Corner

Nicolas Roeg: the last British romantic

Dirk Bogarde: a class act

Azor follows a quiet Swiss banker through Argentina’s dirty war

Introduction bridges the generational gap in Hong Sangsoo’s typical style

In memory of Jean-Claude Carrière: the late screenwriter in conversation

Ronnie’s: Ronnie Scott & his World Famous Jazz Club rhapsodises Soho in blue

Twenty-first century noir

About Endlessness first look: Roy Andersson rises above his customary absurdism

Forgotten treasures of the multiplex

How we made the Greatest Films of All Time poll

Nine discoveries from the 2020 Berlinale

First Cow: Kelly Reichardt’s milk-rustling western rises like a treat

A farewell from our editor Nick James

What should have won the 2019 Cannes Palme d’Or?

Pain and Glory first look: Pedro Almodóvar’s self-portrait of the artist as addict

Cannes 2019 begins

Lost at the last: the 2019 Oscars plucked bathos from the jaws of reputability

Podcast: Widows, Ash Is Purest White and three more highlights of the 2018 London Film Festival

22 July first look: is Paul Greengrass’s Utøya docudrama a pyrrhic re-enactment?

What should have won Cannes 2018’s Palme d’Or?

Sinners and saviours at Cannes 2018: a late-midway round-up

Cold War first look: Pawel Pawlikowski’s seductive tale of love in an age of borders

Everybody Knows first look: the bells toll for another of Asghar Farhadi’s fissured families

The best of Berlinale 2018 – the awards and our critics’ picks

Unsane first look: an experiment in paranoia

Isle of Dogs first look: Wes Anderson’s charming canine fable