All articles by Nick James

From the Sight and Sound archive

Nicolas Roeg: the last British romantic

Emerging from an era of hedonistic experiment, no director better epitomised the risk-taking mood of 1970s British cinema than Nicolas Roeg. This feature from our March 2011 issue looks back at the impact of Roeg’s extraordinary run of early films.

By Nick James

Nicolas Roeg: the last British romantic
From the Sight and Sound archive

Dirk Bogarde: a class act

By Nick James

Dirk Bogarde: a class act
Festivals

Azor follows a quiet Swiss banker through Argentina’s dirty war

By Nick James

Azor follows a quiet Swiss banker through Argentina’s dirty war
Festivals

Introduction bridges the generational gap in Hong Sangsoo’s typical style

By Nick James

Introduction bridges the generational gap in Hong Sangsoo’s typical style
Interviews

In memory of Jean-Claude Carrière: the late screenwriter in conversation

By Nick James

In memory of Jean-Claude Carrière: the late screenwriter in conversation
Reviews

Ronnie’s: Ronnie Scott & his World Famous Jazz Club rhapsodises Soho in blue

By Nick James

Ronnie’s: Ronnie Scott & his World Famous Jazz Club rhapsodises Soho in blue
Deep focus

Twenty-first century noir

By Nick James

Twenty-first century noir
Lists

The female gaze: 100 overlooked films directed by women

By Isabel Stevens, Bryony Dixon and others

The female gaze: 100 overlooked films directed by women
The best of 2020

About Endlessness first look: Roy Andersson rises above his customary absurdism

By Nick James

About Endlessness first look: Roy Andersson rises above his customary absurdism
Lists

Forgotten treasures of the multiplex

By Ryan Gilbey, Nick James and others

Forgotten treasures of the multiplex
Features

A tribute to the late Sue Bruce-Smith

By Nick James

A tribute to the late Sue Bruce-Smith
The Greatest Films of All Time

How we made the Greatest Films of All Time poll

By Nick James

How we made the Greatest Films of All Time poll
Polls

How we made the Greatest Films of All Time poll

By Nick James

How we made the Greatest Films of All Time poll
News

Nine discoveries from the 2020 Berlinale

By Ela Bittencourt, Jamie Dunn and others

Nine discoveries from the 2020 Berlinale
The best of 2020

First Cow: Kelly Reichardt’s milk-rustling western rises like a treat

By Nick James

First Cow: Kelly Reichardt’s milk-rustling western rises like a treat
Reviews

First Cow review: Kelly Reichardt’s milk-rustling western rises like a treat

By Nick James

First Cow review: Kelly Reichardt’s milk-rustling western rises like a treat
Reviews

Malmkrog review: Cristi Puiu convenes a big-house philosophical pile-on

By Nick James

Malmkrog review: Cristi Puiu convenes a big-house philosophical pile-on
Interviews

At home with the Kubricks: “Stanley was amazingly tolerant in taking the most extraordinary abuse”

By Nick James

At home with the Kubricks: “Stanley was amazingly tolerant in taking the most extraordinary abuse”
Reviews

About Endlessness review: Roy Andersson rises above his customary absurdism

By Nick James

About Endlessness review: Roy Andersson rises above his customary absurdism
Reviews

Seberg review: a breathless biopic of a star with a complex life

By Nick James

Seberg review: a breathless biopic of a star with a complex life
Interviews

Reheating Heat: Blake Howard on his marathon movie podcast One Heat Minute

By Nick James

Reheating Heat: Blake Howard on his marathon movie podcast One Heat Minute
Features

A farewell from our editor Nick James

By Nick James

A farewell from our editor Nick James
News

What should have won the 2019 Cannes Palme d’Or?

By Isabel Stevens, Nick James and others

What should have won the 2019 Cannes Palme d’Or?
News

Genre and disorder at Cannes 2019: a midway round-up

By Nick James

Genre and disorder at Cannes 2019: a midway round-up
Reviews

A Hidden Life first look: Terrence Malick floats over the storm clouds of war

By Nick James

A Hidden Life first look: Terrence Malick floats over the storm clouds of war
Reviews

Joan of Arc first look: Bruno Dumont makes a trial of it

By Nick James

Joan of Arc first look: Bruno Dumont makes a trial of it
Reviews

Pain and Glory first look: Pedro Almodóvar’s self-portrait of the artist as addict

By Nick James

Pain and Glory first look: Pedro Almodóvar’s self-portrait of the artist as addict
News

Cannes 2019 begins

By Nick James

Cannes 2019 begins
Features

Lost at the last: the 2019 Oscars plucked bathos from the jaws of reputability

By Nick James

Lost at the last: the 2019 Oscars plucked bathos from the jaws of reputability
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