All articles by Anton Bitel

Possessor sends Andrea Riseborough out of her mind

Relic finds fear in a labyrinthine house of horrors – and in intergenerational illness

Horror islands: seven British domestic shockers (and an American special case) at Halloween FrightFest 2020

The Haunting of Bly Manor review: Bly’s spirits bring the haunted manor back to life

She Dies Tomorrow sends Kate Lyn Sheil’s death drive viral

Forgotten treasures of the multiplex

Variations on the woman in trouble at Arrow Video FrightFest 2020

The Vigil review: Orthodox Jews haunted by their histories

Three lessons from Fantasporto 2020

Dogs Don’t Wear Pants review: a compassionate story of the healing power of kink

Just Mercy review: Michael B. Jordan fights rough justice and racism in Alabama

The Courier review: Olga Kurylenko’s biker delivers exploitation thrills and kills

The Gentlemen review: gangsters and toffs cavort in Guy Ritchie’s cheeky caper

To Baltic Russians with love: Estonia’s Black Nights Film Festival looks East

Judy & Punch review: a larger-than-life battle of the sexes in a timeless funfair world

Candy, corny, culty: Arrow Video FrightFest Halloween All-Dayer 2019

10 great European horror films

Gemini Man review: two killer Will Smiths face off

7 excursions from reality in the 2019 London Film Festival Cult strand

This year’s horror cinema, dissected: the FrightFest 2019 podcast

Horror gets real: the limits of fantasy at FrightFest 2019

Heroic Bloodshed: How Hong Kong's style was swiped by Hollywood

Ghost of the Golden Groves first look: a haunting trip into the backwoods of Bengal

10 great X-certificate films

Should we stay or should we go? Three grounded escapes at Sci-Fi-London 2019

His Master’s Voice first look: a voyage into an enigmatic universe of otherness

Bumblebee review: the Transformers are better without the Bayhem

Shadows of forgotten time: 10 new-generation revelations from 100-year-old nations at Tallinn Black Nights 2018