In her first feature since 2008’s The Headless Woman, Lucrecia Martel creates a memorable exploration of personal malaise. Adapting Antonio Di Benedetto’s existential novel, it follows Don Diego de Zama (Daniel Giménez Cacho), a minor officer in an unnamed colony of the 18th-century Spanish crown, desperate to return to his family. As his request is repeatedly delayed by red tape, Martel charts his progressive decline with opulent visuals and a multi-layered soundscape.
Zama (2017)
Argentinian director Lucrecia Martel returns with a fine adaptation of Antonio Di Benedetto’s existential novel.
- 2017 Argentina, Brazil, Spain, France, Mexico, Netherlands, Monaco, Portugal, USA, Lebanon, United Kingdom, Dominican Republic
 - Directed by
 - Lucrecia Martel
 - Produced by
 - Benjamin Domenech, Santiago Gallelli, Matías Roveda, Vania Catani
 - Written by
 - Lucrecia Martel
 - Featuring
 - Daniel Giménez Cacho, Lola Dueñas, Mateus Nachtergaele
 - Running time
 - 115 minutes
 
Who voted for Zama
Critics
- Peter Bradshaw
 - UK
 - Gonzalo De Pedro
 - Spain
 - Cristóbal Escobar
 - Chile
 - Carlos Escolano
 - Spain
 - Paula Felix-Didier
 - Argentina
 - Devika Girish
 - USA/India
 - Natalia Keogan
 - USA
 - Giovanni Marchini Camia
 - Italy/Switzerland/Germany
 - Lucrecia Matarozzo
 - Argentina
 - Hind Mezaina
 - United Arab Emirates
 - Cristina Nord
 - Germany
 - Jennifer Sabine
 - Australia
 - Rasha Salti
 - Canada/Lebanon/Germany
 - Libby Saxton
 - UK
 - Dennis Vetter
 - Germany
 
Directors
- Libertad Gills
 - Ecuador
 - Radu Muntean
 - Romania
 - Athina Rachel Tsangari
 - Greece
 
Articles related to Zama
Videos
Lucrecia Martel on Zama
Lucrecia Martel on ZamaInterviews
Lucrecia Martel on time and Zama – ‘Many shots are not what you expect’
By Georgia Korossi
Features
Lucrecia Martel: a catch-up primer on the Argentine’s brilliant career to date
By Demetrios Matheou
