Nicolas Rapold

All articles by Nicolas Rapold

Reviews

Anemone: a welcome return from Daniel Day-Lewis

Daniel Day-Lewis brings potent realism to an otherwise uneven debut about a broken veteran, directed by the actor’s son Ronan Day-Lewis.

By Nicolas Rapold

Anemone: a welcome return from Daniel Day-Lewis

Festivals

The Mastermind: Kelly Reichardt pulls off a perfect slow heist movie

By Nicolas Rapold

The Mastermind: Kelly Reichardt pulls off a perfect slow heist movie

Lists

Eight under-the-radar LFF films

By Thomas Flew, Beatrice Loayza and others

Eight under-the-radar LFF films

Festivals

Father Mother Sister Brother: Jim Jarmusch’s low-key family anthology speaks from the heart

By Nicolas Rapold

Father Mother Sister Brother: Jim Jarmusch’s low-key family anthology speaks from the heart

Festivals

No Other Choice: Park Chan-wook’s murderous thriller is goofy, grisly and perverse

By Nicolas Rapold

No Other Choice: Park Chan-wook’s murderous thriller is goofy, grisly and perverse

Reviews

Together: Alison Brie and Dave Franco find funny, skin-crawling horror in a love that binds

By Nicolas Rapold

Together: Alison Brie and Dave Franco find funny, skin-crawling horror in a love that binds

Discoveries

13 discoveries from Cannes 2025

By John Bleasdale, Thomas Flew and others

13 discoveries from Cannes 2025

Festivals

Nouvelle Vague: Richard Linklater’s joyful tribute to the free spirits of French filmmaking

By Nicolas Rapold

Nouvelle Vague: Richard Linklater’s joyful tribute to the free spirits of French filmmaking

Festivals

Cloud: an online hustle turns deadly in Kurosawa Kiyoshi’s violent, freewheeling thriller

By Nicolas Rapold

Cloud: an online hustle turns deadly in Kurosawa Kiyoshi’s violent, freewheeling thriller

Festivals

Blue Moon: Ethan Hawke feels unstoppable in Richard Linklater’s loving Broadway biopic

By Nicolas Rapold

Blue Moon: Ethan Hawke feels unstoppable in Richard Linklater’s loving Broadway biopic

Festivals

2,000 Meters to Andriivka: an intense in-the-moment account of Russia’s war on Ukraine

By Nicolas Rapold

2,000 Meters to Andriivka: an intense in-the-moment account of Russia’s war on Ukraine

Festivals

Life After: a nuanced interrogation of right-to-die policy

By Nicolas Rapold

Life After: a nuanced interrogation of right-to-die policy

Reviews

If I Had Legs I’d Kick You: Mary Bronstein pushes life’s daily irritations to the limit in this dark maternal drama

By Nicolas Rapold

If I Had Legs I’d Kick You: Mary Bronstein pushes life’s daily irritations to the limit in this dark maternal drama

Festivals

Maria: Pablo Larraín’s grand, reverential biopic of Maria Callas

By Nicolas Rapold

Maria: Pablo Larraín’s grand, reverential biopic of Maria Callas

Festivals

Pavements: Alex Ross Perry’s slanted and enchanted tribute to a canonical 1990s band

By Nicolas Rapold

Pavements: Alex Ross Perry’s slanted and enchanted tribute to a canonical 1990s band

Festivals

The Room Next Door: Almodóvar’s graceful exploration of mortality and friendship

By Nicolas Rapold

The Room Next Door: Almodóvar’s graceful exploration of mortality and friendship

Festivals

The Seed of the Sacred Fig: Mohammad Rasoulof’s domestic thriller is an elegant warning to the Iranian regime

By Nicolas Rapold

The Seed of the Sacred Fig: Mohammad Rasoulof’s domestic thriller is an elegant warning to the Iranian regime

Festivals

The Shrouds: Cronenberg captures the obsessional force of grief in a dystopian widower drama

By Nicolas Rapold

The Shrouds: Cronenberg captures the obsessional force of grief in a dystopian widower drama

Festivals

Suspended Time: an affectingly vulnerable lockdown chronicle

By Nicolas Rapold

Suspended Time: an affectingly vulnerable lockdown chronicle

Festivals

Architecton: a daunting look at the rubble of our existence

By Nicolas Rapold

Architecton: a daunting look at the rubble of our existence

Festivals

I Saw the TV Glow: a rough portrait of fanatical obsession

By Nicolas Rapold

I Saw the TV Glow: a rough portrait of fanatical obsession

Festivals

Look Into My Eyes: exquisitely made documentary about New York City psychics puts compassion before cynicism

By Nicolas Rapold

Look Into My Eyes: exquisitely made documentary about New York City psychics puts compassion before cynicism

Festivals

Love Lies Bleeding: this bodybuilding melodrama is a film of passionate extremes

By Nicolas Rapold

Love Lies Bleeding: this bodybuilding melodrama is a film of passionate extremes

Festivals

Presence: this suburban ghost story is one of Steven Soderbergh’s best go-for-broke experiments yet

By Nicolas Rapold

Presence: this suburban ghost story is one of Steven Soderbergh’s best go-for-broke experiments yet

Festivals

Do Not Expect Too Much From the End of the World: Radu Jude’s twisted workplace realities

By Nicolas Rapold

Do Not Expect Too Much From the End of the World: Radu Jude’s twisted workplace realities

Festivals

Evil Does Not Exist: Hamaguchi Ryusuke’s beguiling ecological drama

By Nicolas Rapold

Evil Does Not Exist: Hamaguchi Ryusuke’s beguiling ecological drama

Festivals

The Killer: David Fincher’s normcore assassin unnerves and entertains

By Nicolas Rapold

The Killer: David Fincher’s normcore assassin unnerves and entertains

Festivals

Aggro Dr1ft: Harmony Korine finds new ways to freak us out with his mashed-up media experiment

By Nicolas Rapold

Aggro Dr1ft: Harmony Korine finds new ways to freak us out with his mashed-up media experiment

Festivals

Youth (Spring): Wang Bing’s lengthy documentary captures the endless toil and strength of garment factory workers

By Nicolas Rapold

Youth (Spring): Wang Bing’s lengthy documentary captures the endless toil and strength of garment factory workers

Festivals

Club Zero: this ambiguous boarding school drama feels strangely one-note

By Nicolas Rapold

Club Zero: this ambiguous boarding school drama feels strangely one-note