Articles by Pamela Hutchinson
Features
Napoleon: 10 unmissable highlights from Abel Gance’s five-and-a-half-hour masterpiece
By Pamela Hutchinson
Napoleon: 10 unmissable highlights from Abel Gance’s five-and-a-half-hour masterpiece
Reviews
The Old Oak: Ken Loach’s final cinematic statement is a stark portrait of a divided UK
By Pamela Hutchinson
Reviews
Greatest Days: Take That musical nails that awkward adolescent longing for pop-mag pin-ups
By Pamela Hutchinson
Talkies
The long take: domestic disaster movies
By Pamela Hutchinson
Talkies
The long take: cinema’s cries for help
By Pamela Hutchinson
Talkies
The long take: misrepresentation in perpetuity
By Pamela Hutchinson
Talkies
The long take: a memorial to the dead, bursting with life
By Pamela Hutchinson
Talkies
The long take: slow technology and fast action
By Pamela Hutchinson
Festivals
Empire of Light: a disappointing off-season excursion
By Pamela Hutchinson
From the Sight and Sound archive
Always be yourself: the making of Ingrid Bergman
By Pamela Hutchinson
Reviews
Good Luck to You, Leo Grande: all the bed’s a stage
By Pamela Hutchinson
Reviews
Writing with Fire: an inspirational fly-on-the-wall documentary about a newspaper run entirely by Dalit women
By Pamela Hutchinson
The future of film
Sofia Coppola on the future of film
By Pamela Hutchinson
Reviews
The Lost Daughter explores the dark side of motherhood with a risky drama that feels closer to a thriller
By Pamela Hutchinson
Reviews
Natural Light is a film begrimed with the collective guilt of moral cowardice
By Pamela Hutchinson
Talkies
The long take: No crying in journalism
By Pamela Hutchinson