All Sight and Sound articles
Reviews
Last Summer: Catherine Breillat’s most heartbreaking film to date
Catherine Breillat’s remake of the Danish film Queen of Hearts plays with ideas of attraction, repulsion and self-delusion through Anne (Léa Drucker), a middle-aged lawyer who finds herself inappropriately drawn to her teenage stepson.
By Ela Bittencourt
Last Summer: Catherine Breillat’s most heartbreaking film to date
Reviews
Sometimes I Think About Dying: downbeat workplace indie shows another side to Daisy Ridley
By David Katz
From the Sight and Sound archive
Elaine May: laughing matters
By Carrie Rickey
From the Sight and Sound archive
“Ford is a director with whom things are either right or wrong”: Lindsay Anderson’s review of The Searchers
By Lindsay Anderson
Reviews
All You Need is Death: hallucinatory horror captures the alchemical power of Irish folk ballads
By Roger Luckhurst
Reviews
The Book of Clarence: a messy, genre-blending Biblical epic
By Arjun Sajip
Reviews
If Only I Could Hibernate: a beautifully crafted Mongolian drama
By Tom Charity
From the Sight and Sound archive
“Her charisma, her presence, was a lot to do with her eyes”: Asif Kapadia on Amy
By Nick James
Reviews
Back to Black: Amy Winehouse biopic fails in its aspirations to focus on the music
By Rebecca Harrison
Reviews
The Teachers’ Lounge: the hunt for a bad apple leads to chaos in this jittery classroom thriller
By Catherine Wheatley
Reviews
Civil War: Alex Garland’s spectacle of violence is determined to throw the audience off balance
By Henry K Miller
From the Sight and Sound archive
My father the hero: Víctor Erice’s El sur
By Mar Diestro-Dópido
Reviews
Yannick: a disgruntled heckler hijacks a play in Quentin Dupieux’s wry comedy
By John Bleasdale
Reviews
Io Capitano: a surreal, shapeshifting quest for a new life in Europe
By Jason Anderson
Reviews
The First Omen: a surprisingly lively take on well-worn franchise mythology
By Adam Nayman
Reviews
Monkey Man: Dev Patel wreaks brutal havoc in a muddled but enthralling revenge drama
By Guy Lodge
From the Sight and Sound archive
“We will never see that Hollywood again”: Bette Davis, grande dame of cinema
By Margaret Hinxman
Features
Conflict zone: on Jonathan Glazer’s Oscars speech
By Jonathan Romney
Reviews
Godzilla x Kong: The New Empire: an enjoyably goofy monster mash
By Kim Newman
Reviews
The Sweet East: a risky, uncompromising road movie
By Catherine Wheatley
From the Sight and Sound archive
“The conclusion we came to about equality is that nobody really wants it”: Krzysztof Kieślowski on the Three Colours trilogy
By Tony Rayns
Reviews
Mothers’ Instinct: maternal grief turns deadly in this intense but predictable psychological thriller
By Kate Stables
Reviews
Opus: Sakamoto Ryuichi performs his swan songs
By Sam Wigley