All Sight & Sound articles
“I like cinema that cracks open your sense of the world”: Remi Weekes on His House
The director of the spooky-asylum horror His House talks about the craft of horror, cold welcomes and bendable reality.
By Leila Latif
Ghost Strata continues Ben Rivers’ cinematic archaeology
By Giovanni Marchini Camia
Horror islands: seven British domestic shockers (and an American special case) at Halloween FrightFest 2020
By Anton Bitel
Rhonda Fleming, a star in black and white and Technicolor
By Pamela Hutchinson
The Salt in Our Waters kicks up stormy arguments in the Ganges Delta
By Thomas Flew
Love to death: Hitchcock, Du Maurier and Rebecca
By Alison Light
Body of Water gives us haunting fragments of a photographer’s anorexia
By Catherine Wheatley
Eyimofe (This Is My Desire) charts broken dreams of migration in an indomitable Lagos
By Chrystel Oloukoi
“In the end you can’t help but make stuff in a postmodern way”: Ben Wheatley on re-filming Rebecca
By Christina Newland
Limbo gives a Scottish welcome to four far-flung refugees
By Rebecca Harrison
“I wanted it to feel like a river, like memory”: Garrett Bradley on Time
By Devika Girish
Expanded Reality at the 2020 London Film Festival
By Marisol Grandon
“Sometimes the scariest place to get trapped is inside your own mind”: Rose Glass on Saint Maud
By Mike Williams
Play for Today: the TV series at the heart of 1970s British filmmaking
By Robert Hanks
Time is a powerful distillation of lives divided
By Nadine Deller
Genus Pan takes a journey to the heart of Filipino darkness
By Jordan Cronk
In The Forty-Year-Old Version, Radha Blank hoists her own star
By Violet Lucca
Colonial guilt: India Song and Marguerite Duras
By Carlos Clarens
The Haunting of Bly Manor review: Bly’s spirits bring the haunted manor back to life
By Anton Bitel
The Disciple review: Chaitanya Tamhane considers the limits of musical control
By Kaleem Aftab
Kajillionaire review: Miranda July pulls off a salty family con drama
By Ryan Gilbey
The female horror renaissance: a watchlist
By Anna Bogutskaya
The female gaze: 100 overlooked films directed by women
By Isabel Stevens, Bryony Dixon and others
Dick Johnson Is Dead review: resurrections beat the blues
By Hannah McGill
On the Rocks review: Sofia Coppola explores mommy and daddy issues
By Nikki Baughan
Eternal Beauty review: a stylish mental health drama with skin deep insight
By Alex Ramon