Richard Brody
film critic
USA
Voted for
| Film | Year | Director |
|---|---|---|
| King Lear | 1987 | Jean-Luc Godard |
| Shoah | 1985 | Claude Lanzmann |
| The Last Laugh | 1924 | F.W. Murnau |
| The Gold Rush | 1925 | Charles Chaplin |
| ZANGIKU MONOGATARI | 1939 | Kenji Mizoguchi |
| Citizen Kane | 1941 | Orson Welles |
| Playtime | 1967 | Jacques Tati |
| Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles | 1975 | Chantal Akerman |
| Faces | 1968 | John Cassavetes |
| Daughters of the Dust | 1991 | Julie Dash |
Comments
This time around, I found myself thinking of greatness in terms of difficulty—not necessarily practical difficulty, which many filmmakers of varying achievement face, but conceptual difficulty, the combination of production and direction that enables a filmmaker to push the art of cinema drastically and definitively ahead, to blow a hole in the history of the aesthetic and to confront that history, and history itself, at the same time.