All articles by Adam Nayman
The Matrix: Resurrections is a welcome antidote to generic blockbusters
The action isn’t a patch on its predecessors, but Lana Wachowski’s wry and self-conscious replaying of her original source material is a joy to watch.
By Adam Nayman
Shorta follows Danish police playing good cop, bad cop
By Adam Nayman
Wonder Woman 1984 shrinks history, stretches patience
By Adam Nayman
Host: Zoom-bombing with the astral plane
By Adam Nayman
Dark Waters review: Mark Ruffalo takes up weary arms against a malicious multinational
By Adam Nayman
Once Upon a Time… in Hollywood review: Quentin Tarantino unleashes his nostalgic fetishes
By Adam Nayman
Film of the week: Sorry to Bother You is an unruly, outrageous corporate satire
By Adam Nayman
Ant-Man and The Wasp review: miniaturised Marvel caper wins on zing
By Adam Nayman
Film of the week: Loveless takes a symbolic hammer to a family tragedy
By Adam Nayman
Film of the week: Phantom Thread unravels the relationship between an artist and his muse
By Adam Nayman
Film of the week: Happy End is a welcome departure for Michael Haneke
By Adam Nayman
Mudbound review: families at war on home soil
By Adam Nayman
Film of the week: Good Time takes a spin around Robert Pattinson’s no-good hood
By Adam Nayman
Film of the week: Moonlight, a prism of repression and desire, awash in poetry
By Adam Nayman
Critics’ 50 Greatest Documentaries of All Time
By Nick James, Brian Winston and others
Reality and the red carpet: Hot Docs 2014
By Adam Nayman
This was China: Wang Bing’s West of the Tracks
By Adam Nayman