All articles by Adam Nayman
Wonder Woman 1984 shrinks history, stretches patience
Letting the glibness of its conceits loom large on the small screen, Gal Gadot and director Patty Jenkins’s retro superhero sequel takes its audience for a dim ride.
By Adam Nayman
Host: Zoom-bombing with the astral plane
By Adam Nayman
Dark Waters review: Mark Ruffalo takes up weary arms against a malicious multinational
By Adam Nayman
Once Upon a Time… in Hollywood review: Quentin Tarantino unleashes his nostalgic fetishes
By Adam Nayman
Film of the week: Sorry to Bother You is an unruly, outrageous corporate satire
By Adam Nayman
Ant-Man and The Wasp review: miniaturised Marvel caper wins on zing
By Adam Nayman
Film of the week: Loveless takes a symbolic hammer to a family tragedy
By Adam Nayman
Film of the week: Phantom Thread unravels the relationship between an artist and his muse
By Adam Nayman
Film of the week: Happy End is a welcome departure for Michael Haneke
By Adam Nayman
Mudbound review: families at war on home soil
By Adam Nayman
Film of the week: Good Time takes a spin around Robert Pattinson’s no-good hood
By Adam Nayman
Film of the week: Moonlight, a prism of repression and desire, awash in poetry
By Adam Nayman
Critics’ 50 Greatest Documentaries of All Time
By Nick James, Brian Winston and others
Reality and the red carpet: Hot Docs 2014
By Adam Nayman
This was China: Wang Bing’s West of the Tracks
By Adam Nayman