All articles by Isabel Stevens
Inside Ukraine’s film archive
The world has been thrown into shock and disarray by Russia’s invasion of Ukraine. But alongside the military resistance, local film archivists are playing their part in saving Ukrainian culture, through film preservation and screenings in metro stations.
By Isabel Stevens
The best films of 2021: the year in cinema
By Isabel Stevens
The Cannes dispatch: notes from the riviera
By Isabel Stevens
Come dine with me: in the filmmaker’s house with Marc Isaacs
By Isabel Stevens
“It’s almost like a silent movie”: Mark Jenkin on his upcoming 1970s-set horror Enys Men
By Isabel Stevens
Ten key cinema workers on the way out of lockdown
By Katie McCabe and Isabel Stevens
The most anticipated films of 2021
By Thomas Flew, Devika Girish and others
“People need to know this”: County Lines and the teenage trauma of drug running
By Isabel Stevens
Forgotten treasures of the multiplex
By Ryan Gilbey, Nick James and others
“I’m drawn to survivors”: Francis Lee on Ammonite
By Isabel Stevens
Lockdown lessons: BFI CEO Ben Roberts on UK film and the Covid crisis
By Isabel Stevens
Lockdown lessons: 13 UK film industry leaders on coping with Covid
By Isabel Stevens and Trevor Johnston
Bacurau first look: a way out weird western for menacing times
By Isabel Stevens
Ten films to watch out for in 2020
By Isabel Stevens, Kaleem Aftab and others
Costume drama: Sandy Powell on designing the costumes for The Irishman
By Isabel Stevens
“When you hold a mirror to society it rebels”: Katharina Kubrick on Eyes Wide Shut
By Isabel Stevens
Introducing the 2019 BFI London Film Festival: the top titles to see
By Isabel Stevens
What should have won the 2019 Cannes Palme d’Or?
By Isabel Stevens, Nick James and others
I Lost My Body review: the touching tale of a manus on a mission
By Isabel Stevens
Parasite first look: Bong Joon-ho builds a wicked bridge over the class divide
By Isabel Stevens
Podcast: Widows, Ash Is Purest White and three more highlights of the 2018 London Film Festival
By Isabel Stevens, Philip Concannon and others
Six films by new and emerging female filmmakers at Cannes 2017
By Isabel Stevens
The Beguiled review: Sofia Coppola gives her women shelter from the war
By Isabel Stevens
The Florida Project review: a happy film about an ugly world
By Isabel Stevens
Faces Places review: Agnès Varda and JR big up the country byways
By Isabel Stevens