All articles by Jessica Kiang

Reviews

Atlantis imagines mere glints of hope in a post-traumatic Ukraine

Valentyn Vasyanovych’s stunningly composed vision of his war-torn homeland is daunting in its bleak grandeur, but there is fire in every image.

By Jessica Kiang

Atlantis imagines mere glints of hope in a post-traumatic Ukraine
Festivals

Petite Maman is a magical story of childhood love and loneliness

By Jessica Kiang

Petite Maman is a magical story of childhood love and loneliness
Reviews

Crock of Gold – A Few Rounds with Shane MacGowan celebrates the legend of the profane drinker

By Jessica Kiang

Crock of Gold – A Few Rounds with Shane MacGowan celebrates the legend of the profane drinker
Reviews

Supernova burns with love at the last

By Jessica Kiang

Supernova burns with love at the last
The best of 2020

In Another Round, Mads Mikkelsen and pals uncork their spirits

By Jessica Kiang

In Another Round, Mads Mikkelsen and pals uncork their spirits
Festivals

Venice Film Festival 2020: the best of times amid the worst of times

By Jessica Kiang

Venice Film Festival 2020: the best of times amid the worst of times
The best of 2020

Never Rarely Sometimes Always: Eliza Hittman’s abortion tale traces the burdens of girlhood

By Jessica Kiang

Never Rarely Sometimes Always: Eliza Hittman’s abortion tale traces the burdens of girlhood
Reviews

Never Rarely Sometimes Always review: Eliza Hittman’s abortion tale traces the burdens of girlhood

By Jessica Kiang

Never Rarely Sometimes Always review: Eliza Hittman’s abortion tale traces the burdens of girlhood
News

Berlinale 2020 report: a slow turn, with bumps

By Jessica Kiang

Berlinale 2020 report: a slow turn, with bumps
The best of 2020

Ema: Pablo Larraín lights some kind of delirious inferno

By Jessica Kiang

Ema: Pablo Larraín lights some kind of delirious inferno
Reviews

Ema review: Pablo Larraín lights some kind of delirious inferno

By Jessica Kiang

Ema review: Pablo Larraín lights some kind of delirious inferno
Reviews

Ad Astra review: Brad Pitt bestrides the stars, darkly

By Jessica Kiang

Ad Astra review: Brad Pitt bestrides the stars, darkly
Reviews

Once Upon a Time… in Hollywood first look: Tarantino’s barefoot elegy to an era at sundown is his ripest delight

By Jessica Kiang

Once Upon a Time… in Hollywood first look: Tarantino’s barefoot elegy to an era at sundown is his ripest delight
Reviews

I Was at Home, But… first look: an elegantly radical mystery

By Jessica Kiang

I Was at Home, But… first look: an elegantly radical mystery
Reviews

Berlinale first look: The Golden Glove wallows in obscenity

By Jessica Kiang

Berlinale first look: The Golden Glove wallows in obscenity
Reviews

Berlinale first look: The Kindness of Strangers is a misty-eyed Manhattan McFlurry

By Jessica Kiang

Berlinale first look: The Kindness of Strangers is a misty-eyed Manhattan McFlurry
Reviews

Sunset first look: a belle epoque a hatstand of a movie

By Jessica Kiang

Sunset first look: a belle epoque a hatstand of a movie
Reviews

The Sisters Brothers first look: Jacques Audiard takes a delightful detour from the western trail

By Jessica Kiang

The Sisters Brothers first look: Jacques Audiard takes a delightful detour from the western trail
News

Strongmen take all at Karlovy Vary 2018

By Jessica Kiang

Strongmen take all at Karlovy Vary 2018
Reviews

Burning first look: Lee Chang-dong’s film sets a noirish love triangle alight

By Jessica Kiang

Burning first look: Lee Chang-dong’s film sets a noirish love triangle alight
Reviews

Shoplifters first look: a wonky family lament that weaponises Koreeda’s compassion

By Jessica Kiang

Shoplifters first look: a wonky family lament that weaponises Koreeda’s compassion
Reviews

Happy End review: Michael Haneke hosts a family blowout

By Jessica Kiang

Happy End review: Michael Haneke hosts a family blowout