All articles by Jessica Kiang

Festivals

The Novelist’s Film: Hong Sangsoo celebrates the casual, sensual and spontaneous pleasures of life

The Korean filmmaker eschews neat plotting and narrative arcs with another gorgeous, meandering film that’s rich with imperfect musings on life and art.

By Jessica Kiang

The Novelist’s Film: Hong Sangsoo celebrates the casual, sensual and spontaneous pleasures of life
Festivals

Dead Flash proves Bertrand Mandico is best tolerated in smaller doses

By Jessica Kiang

Dead Flash proves Bertrand Mandico is best tolerated in smaller doses
Reviews

CODA sings a feel-good, crowdpleasing, familiar tune

By Jessica Kiang

CODA sings a feel-good, crowdpleasing, familiar tune
Festivals

After Yang finds gif-sized glimpses of life after AI death

By Jessica Kiang

After Yang finds gif-sized glimpses of life after AI death
Festivals

Red Rocket shoots for the (porn)stars and finds them in the gutter

By Jessica Kiang

Red Rocket shoots for the (porn)stars and finds them in the gutter
Festivals

Cow laments the transformation of animals into livestock

By Jessica Kiang

Cow laments the transformation of animals into livestock
Reviews

Atlantis imagines mere glints of hope in a post-traumatic Ukraine

By Jessica Kiang

Atlantis imagines mere glints of hope in a post-traumatic Ukraine
Festivals

Petite Maman is a magical story of childhood love and loneliness

By Jessica Kiang

Petite Maman is a magical story of childhood love and loneliness
Reviews

Crock of Gold – A Few Rounds with Shane MacGowan celebrates the legend of the profane drinker

By Jessica Kiang

Crock of Gold – A Few Rounds with Shane MacGowan celebrates the legend of the profane drinker
Reviews

Supernova burns with love at the last

By Jessica Kiang

Supernova burns with love at the last
The best of 2020

In Another Round, Mads Mikkelsen and pals uncork their spirits

By Jessica Kiang

In Another Round, Mads Mikkelsen and pals uncork their spirits
Festivals

Venice Film Festival 2020: the best of times amid the worst of times

By Jessica Kiang

Venice Film Festival 2020: the best of times amid the worst of times
The best of 2020

Never Rarely Sometimes Always: Eliza Hittman’s abortion tale traces the burdens of girlhood

By Jessica Kiang

Never Rarely Sometimes Always: Eliza Hittman’s abortion tale traces the burdens of girlhood
The best of 2020

Ema: Pablo Larraín lights some kind of delirious inferno

By Jessica Kiang

Ema: Pablo Larraín lights some kind of delirious inferno
Reviews

Once Upon a Time… in Hollywood first look: Tarantino’s barefoot elegy to an era at sundown is his ripest delight

By Jessica Kiang

Once Upon a Time… in Hollywood first look: Tarantino’s barefoot elegy to an era at sundown is his ripest delight
Reviews

I Was at Home, But… is an elegantly radical mystery

By Jessica Kiang

I Was at Home, But… is an elegantly radical mystery
Reviews

I Was at Home, But… first look: an elegantly radical mystery

By Jessica Kiang

I Was at Home, But… first look: an elegantly radical mystery
Reviews

Berlinale first look: The Kindness of Strangers is a misty-eyed Manhattan McFlurry

By Jessica Kiang

Berlinale first look: The Kindness of Strangers is a misty-eyed Manhattan McFlurry
Reviews

The Sisters Brothers first look: Jacques Audiard takes a delightful detour from the western trail

By Jessica Kiang

The Sisters Brothers first look: Jacques Audiard takes a delightful detour from the western trail
Reviews

Sunset first look: a belle epoque a hatstand of a movie

By Jessica Kiang

Sunset first look: a belle epoque a hatstand of a movie
Reviews

Burning first look: Lee Chang-dong’s film sets a noirish love triangle alight

By Jessica Kiang

Burning first look: Lee Chang-dong’s film sets a noirish love triangle alight
Reviews

Happy End review: Michael Haneke hosts a family blowout

By Jessica Kiang

Happy End review: Michael Haneke hosts a family blowout