Features and reviews

Discover the latest from the BFI, the UK’s lead organisation for film, television and the moving image.

Object of the week

Object of the week: A hand-painted still for Michael Powell’s Hebridean romance The Edge of the World

This promotional still for a Michael Powell classic demonstrates the once common practice of applying paints and dyes to black-and-white images.

By Alex Prideaux

Object of the week: A hand-painted still for Michael Powell’s Hebridean romance The Edge of the World

Where to begin

Where to begin with Lucile Hadžihalilović

By Leigh Singer

Where to begin with Lucile Hadžihalilović

Features

The phantom that birthed Hollywood monster movies: The Phantom of the Opera at 100

By Craig Ian Mann

The phantom that birthed Hollywood monster movies: The Phantom of the Opera at 100

From the Sight and Sound archive

Loosening the knot: on the set of Zhang Yimou’s To Live

By Tony Rayns

Loosening the knot: on the set of Zhang Yimou’s To Live

Features

How Rock Hudson became Hollywood’s square-jawed prince of 1950s melodrama

By Chloe Walker

How Rock Hudson became Hollywood’s square-jawed prince of 1950s melodrama

Object of the week

Object of the week: The oldest film in our archive

By Bryony Dixon

Object of the week: The oldest film in our archive

Where to begin

Where to begin with Lynne Ramsay

By Brogan Morris

Where to begin with Lynne Ramsay

Obituaries

Lindsey Vickers obituary: onetime feature director behind rediscovered British horror The Appointment

By Vic Pratt

Lindsey Vickers obituary: onetime feature director behind rediscovered British horror The Appointment

From the Sight and Sound archive

Escape artist: Lynne Ramsay’s Morvern Callar

By Linda Ruth Williams

Escape artist: Lynne Ramsay’s Morvern Callar

Railway 200

Train cels: how British animators have captured the enduring appeal of railway travel

By Jez Stewart

Train cels: how British animators have captured the enduring appeal of railway travel

Object of the week

Object of the week: The Polish poster for Sidney Poitier drama To Sir, with Love

By Nathalie Morris

Object of the week: The Polish poster for Sidney Poitier drama To Sir, with Love

Features

“I have been rather brutal with the text”: behind the scenes on Terence Davies’s art of adaptation

By Marc David Jacobs

“I have been rather brutal with the text”: behind the scenes on Terence Davies’s art of adaptation

Obituaries

Peter Watkins obituary: radical British filmmaker behind The War Game and Punishment Park

By William Fowler

Peter Watkins obituary: radical British filmmaker behind The War Game and Punishment Park

From the Sight and Sound archive

“It’s alive!”: the gothic tradition’s enduring legacy on screen

By Rhidian Davis

“It’s alive!”: the gothic tradition’s enduring legacy on screen

Object of the week

Object of the week: The toy theatre and cut-out characters created for Laurence Olivier’s Hamlet

By Nathalie Morris

Object of the week: The toy theatre and cut-out characters created for Laurence Olivier’s Hamlet

Then and now

Zombies in the Lake District: how locations from The Living Dead at Manchester Morgue look today

By Adam Scovell

Zombies in the Lake District: how locations from The Living Dead at Manchester Morgue look today

Where to begin

Where to begin with Theo Angelopoulos

By Michael Brooke

Where to begin with Theo Angelopoulos

Rarities of British cinema

Son of a Stranger: a forgotten British B-movie from the industrious Danziger brothers

By Josephine Botting

Son of a Stranger: a forgotten British B-movie from the industrious Danziger brothers

From the Sight and Sound archive

The House of Mirth: a Wharton adaptation that rivals Scorsese’s

By Philip Horne

The House of Mirth: a Wharton adaptation that rivals Scorsese’s

Obituaries

Ken Jacobs obituary: giant of the American avant-garde working at the limits of perception

By William Rose

Ken Jacobs obituary: giant of the American avant-garde working at the limits of perception

Where to begin

Where to begin with Terence Davies

By Hannah Gatward

Where to begin with Terence Davies

Object of the week

Object of the week: The milk churns that rewrote film history

By Rebecca Vick

Object of the week: The milk churns that rewrote film history

Features

Sholay at 50: Ramesh Sippy’s dazzling epic stands the test of time

By Sam Wigley

Sholay at 50: Ramesh Sippy’s dazzling epic stands the test of time

Features

Shadow of the Colossus: 20 years on, this Playstation classic still looms large

By Jacob Heayes

Shadow of the Colossus: 20 years on, this Playstation classic still looms large

Features

Hall of mirrors: the ending of All About Eve

By Jessica Kiang

Hall of mirrors: the ending of All About Eve

Finest hours

Finest hours: Angela Lansbury in The Manchurian Candidate

By Chloe Walker

Finest hours: Angela Lansbury in The Manchurian Candidate

Features

A century of cinephilia: the legacy of the Film Society

By Henry K Miller

A century of cinephilia: the legacy of the Film Society

Object of the week

Object of the week: What’s a Kalamazoo?

By Jez Stewart

Object of the week: What’s a Kalamazoo?

Object of the week

The letter that made Audrey Hepburn a star

By Nathalie Morris

The letter that made Audrey Hepburn a star

Where to begin

Where to begin with Satoshi Kon

By Josh Slater-Williams

Where to begin with Satoshi Kon