Lists
A great horror film from every year, from 1922 to now
A century of malevolent masterpieces. One film per year.
By Anton Bitel, Michael Blyth and others
A great horror film from every year, from 1922 to now
Kelli Weston
All articles by Kelli Weston
Features
Bloodlines: a history of Black horror
By Kelli Weston
Festivals
Sundance Film Festival 2021 blog
By Sophie Brown, Thomas Flew and others
Festivals
I Was a Simple Man: a poetic but sluggish ghost story
By Kelli Weston
Festivals
John and the Hole: a slick but insubstantial psychological thriller
By Kelli Weston
Festivals
On the Count of Three: a brilliantly uneasy suicide pact comedy
By Kelli Weston
Festivals
Wild Indian: Michael Greyeyes’s history of violence
By Kelli Weston
Festivals
Superior: a stylish but safe identity switch drama
By Kelli Weston
Festivals
Jockey: Clifton Collins Jr. shines as an ailing horse rider
By Kelli Weston
Festivals
Mayday: a reductive feminist fantasy drama
By Kelli Weston
Festivals
Together Together: a wholesome surrogacy comedy
By Kelli Weston
Reviews
Passing puts its racial go-betweens inside a frame
By Kelli Weston
Reviews
BlacKkKlansman review: Spike Lee fails to get to the heart of racist America
By Kelli Weston
News
Podcast: Widows, Ash Is Purest White and three more highlights of the 2018 London Film Festival
By Isabel Stevens, Philip Concannon and others
Features
Wake work: how Spike Lee’s soulful documentaries explore personal and public grieving
By Kelli Weston
News
Film highlights of Sheffield Doc/Fest 2018
By Kelli Weston, Ben Nicholson and others
Reviews
Film of the week: Whitney is a deeply sensitive portrait of a troubled singer
By Kelli Weston
News
Podcast: Six highlights of Sheffield Doc/Fest 2018
By Kelli Weston, Sophie Brown and others
Reviews
Black Panther review: an electrifying, Afrofuturist superhero movie
By Kelli Weston
News
The serial killer variations: David Fincher on Mindhunter at the 2017 LFF
By Kelli Weston
Reviews
Lemonade review: Beyoncé’s tribute to black female artists
By Kelli Weston