All articles by Geoff Andrew
The sprawling brilliance of Robert Altman’s Nashville
We explore the dizzying ambition, creative ingenuity and technical innovation that went into the making of Robert Altman’s extraordinary, impressionistic portrait of Tennessee’s country music capital.
By Geoff Andrew
What to watch at LFF: Never Gonna Snow Again, Malgorzata Szumowska’s enigmatic social satire
By Geoff Andrew
Forgotten treasures of the multiplex
By Ryan Gilbey, Nick James and others
Cannes film festival 2019: the prize-winners
By Geoff Andrew
Politics wins prizes – How big themes prevailed in the 2019 Berlin competition
By Geoff Andrew
Ingmar Bergman’s long-lost spy thriller
By Geoff Andrew
Cannes 2018: thoughts from Geoff Andrew
By Geoff Andrew
At War (En Guerre) first look: Stéphane Brizé dramatises a fiery union rep’s fight for workers’ rights
By Geoff Andrew
Who’s who in competition at Cannes 2018
By Geoff Andrew
The Touch: Ingmar Bergman’s most misunderstood masterwork?
By Geoff Andrew
Where to begin with Abbas Kiarostami
By Geoff Andrew
Cannes 2017: thoughts from Geoff Andrew
By Geoff Andrew
What should have won the 2017 Cannes Palme d’Or?
By Nick James, Geoff Andrew and others
70 years of Cannes… and this will be my 30th
By Geoff Andrew
Fable and fantasy find favour at Berlin 2017
By Geoff Andrew
Charulata: the pinnacle of Satyajit Ray’s art
By Geoff Andrew
Timbuktu first-look review: an eloquent and complex Malian j’accuse
By Geoff Andrew
International Women’s Day: 29 inspiring women in film
By Adrienne Rashbrook-Cooper, Alex Davidson and others
Gentle magic: Kiarostami’s Like Someone in Love
By Geoff Andrew