All articles by Geoff Andrew
The sprawling brilliance of Robert Altman’s Nashville
We explore the dizzying ambition, creative ingenuity and technical innovation that went into the making of Robert Altman’s extraordinary, impressionistic portrait of Tennessee’s country music capital.
By Geoff Andrew
The female gaze: 100 overlooked films directed by women
By Isabel Stevens, Bryony Dixon and others
What to watch at LFF: Never Gonna Snow Again, Malgorzata Szumowska’s enigmatic social satire
By Geoff Andrew
Forgotten treasures of the multiplex
By Ryan Gilbey, Nick James and others
Cannes film festival 2019: the prize-winners
By Geoff Andrew
Cannes film festival 2019: the prize-winners
By Geoff Andrew
What should have won the 2019 Cannes Palme d’Or?
By Isabel Stevens, Nick James and others
The Invisible Life of Eurídice Gusmao first look: the odyssey of a fractured family from Brazil
By Geoff Andrew
Little Joe first look: a heady lab-of-horrors mystery
By Geoff Andrew
Sorry We Missed You first look: Ken Loach delivers a stirring drama on the gig economy
By Geoff Andrew
Panning for gold: Cannes 2019 Palme d’Or contenders
By Geoff Andrew
Politics wins prizes – How big themes prevailed in the 2019 Berlin competition
By Geoff Andrew
Politics wins prizes – How big themes prevailed in the 2019 Berlin competition
By Geoff Andrew
Piranhas first look: tracing the rise of a Napolitan criminal whippersnapper
By Geoff Andrew
Berlinale first look: God Exists, Her Name Is Petrunya is a vivid feminist satire
By Geoff Andrew
Ghost Town Anthology review: Denis Côté explores a community haunted by grief
By Geoff Andrew
Who’s who in competition at the Berlin Film Festival 2019
By Geoff Andrew
Ingmar Bergman’s long-lost spy thriller
By Geoff Andrew
Cannes 2018: thoughts from Geoff Andrew
By Geoff Andrew
Cannes 2018: thoughts from Geoff Andrew
By Geoff Andrew
Ayka (The Little One) first look: Sergey Dvortsevoy tracks a runaway new mother in wintry Moscow
By Geoff Andrew
At War (En Guerre) first look: Stéphane Brizé dramatises a fiery union rep’s fight for workers’ rights
By Geoff Andrew
The Wild Pear Tree first look: Nuri Bilge Ceylan contemplates a restive rural homecoming
By Geoff Andrew
Happy as Lazzaro first look: Alice Rohrwacher practises magic neorealism
By Geoff Andrew