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Swapping New York for big-sky Portugal where Isabelle Huppert’s film star gathers her clan, Ira Sachs weaves a tapestry of relationships and experiences that aims for something timeless, writes Michael Leader.
Friday, May 24, 2019
Cartoonish ultraviolence and even cartoons break out in the Japanese director’s 103rd movie, a blood-soaked tale of a madcap scheme gone dangerously awry, writes Michael Leader.
Thursday, May 23, 2019
Jim Jarmusch’s maximal stock company overruns the American heartland for an end-times zombie genre burlesque that finds nowhere to go, says Michael Leader.
Wednesday, May 15, 2019
Luca Guadagnino’s homage to the classic giallo – with Dakota Johnson’s hexed dancer now in punk-era Berlin – is a confoundingly inside-out one, set on dragging the original’s darkest metaphors into the light, writes Michael Leader.
Thursday, September 6, 2018
Joel and Ethan Coen explore how the west was spun in an eclectic portmanteau that covers the American cinema’s foundational genre territory with gimlet-eyed glee, says Michael Leader.
Monday, September 3, 2018
From the Magazine
Alden Ehrenreich plays the younger incarnation of Harrison Ford’s cosmic tearaway Han Solo in Ron Howard’s rote but proficient space rollick that’s another brick in the Lucasfilm cinematic wall, writes Michael Leader.
Saturday, May 26, 2018
Andrew Garfield’s overgrown fanboy cum sleuth loses his girl and then himself in David Robert Mitchell’s compromised but cult-ready follow-up to It Follows, says Michael Leader.
Monday, May 21, 2018
A lost lover haunts a young woman in Hamaguchi Ryusuke’s beguiling and mysterious follow-up to ensemble epic Happy Hour, writes Michael Leader.
Wednesday, May 16, 2018
Spanish auteur Jaime Rosales softens his experimental edges a notch with a cerebral and darkly witty melodrama in which a truth-seeking artist meets her malicious nemesis, writes Michael Leader.
Sunday, May 13, 2018
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