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A joyful portrait of a 70s summer camp for young people reveals a community ahead of its time that was a catalyst for disability activism, writes Sophie Monks Kaufman.
Wednesday, March 11, 2020
We pick the finest film musical for each and every year of the genre’s 90+ year history, and find some surprises along the way.
Thursday, October 17, 2019
Damien Manivel’s deftly choreographed dance-drama explores how Isadora Duncan’s powerful expression of maternal grief resonates through the lives of contemporary performers, writes Sophie Monks Kaufman.
Wednesday, August 21, 2019
From Colette to Can You Ever Forgive Me?, lesbians of letters are suddenly getting their stories told on film. Why now?
Tuesday, March 12, 2019
Barry Jenkins’s rhapsodic adaptation of James Baldwin’s Harlem passion story finds reasons to swoon in the darkness, writes Sophie Monks Kaufman.
Wednesday, September 19, 2018
Considering Island, Steven Eastwood’s documentary portrait of four dying patients at a hospice on the Isle of Wight, Sophie Monks Kaufman asks: why are we drawn to fictional moving images of death, yet fear their nonfiction counterparts?
Friday, September 14, 2018
A freed hostage of war who absconds to Goa, Roman Kolinka is a soul unbound before Aarshi Banerjee’s winning Maya brings his life back in to focus in this tacit, ineffable Mia Hansen-Løve story, writes Sophie Monks Kaufman.
Thursday, September 13, 2018
Carol Morley knocks Martin Amis’s Night Train into deep space, with Patricia Clarkson’s post-traumatic police detective following a murdered astrophysicist into an indubitably dark if questionably material place, finds Sophie Monks Kaufman.
Monday, September 10, 2018
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