Sight and Sound articles

From the Sight and Sound archive

A monumental reckoning: how Abel Gance’s Napoleon was restored to full glory

By Paul Cuff

A monumental reckoning: how Abel Gance’s Napoleon was restored to full glory
Features

Kings of the movies: Martin Scorsese on Powell & Pressburger

By Philip Horne

Kings of the movies: Martin Scorsese on Powell & Pressburger
Features

Flick lit: writing in the dark

By Nicole Flattery

Flick lit: writing in the dark
Features

Staying with the trouble: the ending of Wanda

By Becca Voelcker

Staying with the trouble: the ending of Wanda
From the Sight and Sound archive

“The ecstasy of existing”: Kenneth Tynan on Greta Garbo

By Kenneth Tynan

“The ecstasy of existing”: Kenneth Tynan on Greta Garbo
Features

“I am burning, everyone is burning, the universe is burning”: Derek Malcolm on the films of Ritwik Ghatak

By Derek Malcolm

“I am burning, everyone is burning, the universe is burning”: Derek Malcolm on the films of Ritwik Ghatak
Talkies

Cine wanderer: Daughter of the Nile

By Phuong Le

Cine wanderer: Daughter of the Nile
Features

Finding Audrey Amiss: Carol Morley on Typist Artist Pirate King

By Sinéad Gleeson

Finding Audrey Amiss: Carol Morley on Typist Artist Pirate King
From the Sight and Sound archive

Blaxploitation, from Shaft to Original Gangstas

By Mike Phillips

Blaxploitation, from Shaft to Original Gangstas
From the Sight and Sound archive

Space is the place

By Roger Luckhurst

Space is the place
From the Sight and Sound archive

Jukebox and Johnny Boy

By Ian Penman

Jukebox and Johnny Boy
From the Sight and Sound archive

Douglas Fairbanks, the hero

By David Robinson

Douglas Fairbanks, the hero
Features

In love and war: Terence Davies on Benediction

By Ben Walters

In love and war: Terence Davies on Benediction
From the Sight and Sound archive

Sound and the fury: David Thomson on The Long Day Closes

By David Thomson

Sound and the fury: David Thomson on The Long Day Closes
From the Sight and Sound archive

Blood and redemption: Lizzie Borden on Raging Bull and male inhibition

By Lizzie Borden

Blood and redemption: Lizzie Borden on Raging Bull and male inhibition
Features

Heaven and hell on earth: the films of the Ormond family

By Sophia Satchell-Baeza

Heaven and hell on earth: the films of the Ormond family
The Greatest Films of All Time

L’avventura: the film that redefined the cinema

By Robert Koehler

L’avventura: the film that redefined the cinema
Features

TV Eye: ’Allo ’Allo!, a pièce de résistance

By Andrew Male

TV Eye: ’Allo ’Allo!, a pièce de résistance
Features

London Film Festival returns amid the strikes

By Thomas Flew

London Film Festival returns amid the strikes
From the Sight and Sound archive

Hey presto: F for Fake and the invention of the essay film

By Simon Callow

Hey presto: F for Fake and the invention of the essay film
Features

The pleasure principle

By Christina Newland

The pleasure principle
From the Sight and Sound archive

Spain: out of the past

By Roger Mortimore

Spain: out of the past
Features

Adapt or die: videogames at the movies

By Thomas Flew

Adapt or die: videogames at the movies
Features

Things to come: a set visit to Yorgos Lanthimos’s Poor Things

By Thomas Flew

Things to come: a set visit to Yorgos Lanthimos’s Poor Things
From the Sight and Sound archive

Lonesome tonight: Tony Rayns and Edward Yang on A Brighter Summer Day

By Tony Rayns

Lonesome tonight: Tony Rayns and Edward Yang on A Brighter Summer Day
From the Sight and Sound archive

Ozu Yasujiro, tofu maker

By Tony Rayns

Ozu Yasujiro, tofu maker
From the Sight and Sound archive

The eyes of Texas: Terrence Malick’s Days of Heaven

By Richard Combs

The eyes of Texas: Terrence Malick’s Days of Heaven
From the Sight and Sound archive

Support your local police movie

By Philip French

Support your local police movie
From the Sight and Sound archive

Guerrilla fighter: Derek Malcolm on Mrinal Sen

By Derek Malcolm

Guerrilla fighter: Derek Malcolm on Mrinal Sen
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