All articles by Leigh Singer
From Come and See to William Eggleston: 7 visual influences on County Lines
Director Henry Blake and cinematographer Sverre Sørdal reveal a variety of visual cues that fed into their searing new drug-network drama County Lines.
By Leigh Singer
Borat Subsequent Moviefilm is another dose of superbly executed chaos in America’s heartlands
By Leigh Singer
Craig Roberts: 5 visual influences on my film Eternal Beauty
By Leigh Singer
La dolce vita: Unlocking the images in Fellini’s visual feast
By Leigh Singer
Portraits of young women on fire: Céline Sciamma on female art, identity and intimacy
By Leigh Singer
Dev Patel on playing David Copperfield: “There wasn’t a version of this story that related to young Dev”
By Leigh Singer
“The story is the least interesting part”: Armando Iannucci on adapting David Copperfield
By Leigh Singer
Gotta film dance! The evolution of the movie musical – a video essay
By Leigh Singer
Three to see at LFF if you like... British comedies
By Leigh Singer
Asterix: the Secret of the Magic Potion review: this reboot retains the Gaulish charm
By Leigh Singer
Blackface, whitewashing and the grey zone – a two-part video inquiry
By Leigh Singer
“A glorious and ridiculous ride”: Steve Sullivan on excavating Frank and the Chris Sievey story
By Leigh Singer
Us review: Jordan Peele raises the damned
By Leigh Singer
The Day Shall Come first look: Chris Morris, where is thy sting?
By Leigh Singer
Three to see at LFF 2018 if you like... comedies
By Leigh Singer
Lucky: days and years with Harry Dean Stanton, by his friend and PA Logan Sparks
By Leigh Singer
“Laughing is a way to resist”: Annemarie Jacir on her father-son wedding drama Wajib
By Leigh Singer
Three Colours Silver: Europe 25 years after Kieslowski’s trilogy – a video essay
By Leigh Singer
Women on a Bergman screen – a video essay
By Leigh Singer