Sight & Sound articles

Bradlands

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  • Eating John Malkovich

    According to the movies, our latest celebrity-consumption technologies are leading us to the void, says Brad Stevens.

    Brad Stevens
    Wednesday 24 June 2015

    Bradlands

  • Mob rules: Party Girl and the Blacklist

    Trivialised as a stylish film noir frivolity, Party Girl seems to have been written as an On the Waterfront-like apologia for informing – a moral turned inside out by its director Nicholas Ray, says Brad Stevens.

    Brad Stevens
    Tuesday 26 May 2015

    Bradlands

  • Requiem for cavalier attitudes

    Great directors used to know how to have their way with source literature. Even novels of distinction were no impediment to Vincente Minnelli, says Brad Stevens.

    Brad Stevens
    Tuesday 14 April 2015

    Bradlands

  • She who wears the trousers

    In Hollywood movies, the trousered female still stands apart, says Brad Stevens.

    Brad Stevens
    Thursday 5 March 2015

    Bradlands

  • Cinephile dreams

    Brad Stevens on movies that tiptoe to your room to sprinkle stardust.

    Brad Stevens
    Tuesday 3 February 2015

    Bradlands

  • Embracing Grace

    The critical condescension that met Oliver Dahan’s Grace of Monaco biopic shows tastemakers still struggling with ‘feminine’ cinema, says Brad Stevens.

    Brad Stevens
    Friday 12 December 2014

    Bradlands

  • Jerry Lewis: where’s the respect?

    It’s out there alright – in some surprising quarters, says Brad Stevens.

    Brad Stevens
    Friday 14 November 2014

    Bradlands

  • The novelisations that got away

    Some books of the films ring the changes; some even wring art from their sources – as Quentin Tarantino would be the first to tell you, says Brad Stevens.

    Brad Stevens
    Wednesday 22 October 2014

    Bradlands

  • Mid-century emasculation: The House in Cypress Canyon

    Brad Stevens remembers a radio horror drama with a very cinematic power.

    Brad Stevens
    Wednesday 9 July 2014

    Bradlands

  • Nowhere woman: Blue Jasmine

    Woody Allen’s latest is profoundly sympathetic to a protagonist lost in a world of false fronts, says Brad Stevens.

    Brad Stevens
    Tuesday 3 June 2014

    Bradlands

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