Sight & Sound articles

Bradlands

1 - 10 of 35

Pages

  • The Pedestrian: post-war Germany without the chewing gum

    Maximilian Schell’s 1973 investigation of West Germany’s relationship with its Nazi past wishes away the American cultural trappings that inform the better-known works of his New German Cinema peers. It’s the sort of failure from which cults are made, says Brad Stevens.

    Brad Stevens
    Tuesday 3 May 2016

    Bradlands

  • Mirror, mirror: Jacques Rivette, the Marx Brothers and the plays we game

    Brad Stevens on what links Duck Soup’s celebrated nightdress pantomime and Jacques Rivette’s multidimensional actresses – an anarchic scepticism about the very possibility of stable identity.

    Brad Stevens
    Friday 4 March 2016

    Bradlands

  • The Bergman-Rossellini ending variations

    Should Ingrid stay or should she go? Brad Stevens on Roberto Rossellini’s ambivalence across the multiple endings of Stromboli and Fear (La Paura) in circulation.

    Brad Stevens
    Tuesday 12 January 2016

    Bradlands

  • No way home: Steven Spielberg’s roads to nirvana

    All the old binary definitions melt away as we follow one of the last great populists of American cinema over the horizon, argues Brad Stevens.

    Brad Stevens
    Tuesday 1 December 2015

    Bradlands

  • The comfort of disaster (movies)

    The 1970s were a chaotic time, Hollywood overrun by deranged auteurs. Luckily there were still a column of white-bread movie stars on hand to save the day, says Brad Stevens.

    Brad Stevens
    Wednesday 23 September 2015

    Bradlands

  • Masters of space

    Max Ophuls’ Lola Montès reminds Brad Stevens how, in the classical studio era, control of mise en scène and camera movement connoted a power we may now struggle to comprehend.

    Brad Stevens
    Tuesday 25 August 2015

    Bradlands

  • Eating John Malkovich

    According to the movies, our latest celebrity-consumption technologies are leading us to the void, says Brad Stevens.

    Brad Stevens
    Wednesday 24 June 2015

    Bradlands

  • Mob rules: Party Girl and the Blacklist

    Trivialised as a stylish film noir frivolity, Party Girl seems to have been written as an On the Waterfront-like apologia for informing – a moral turned inside out by its director Nicholas Ray, says Brad Stevens.

    Brad Stevens
    Tuesday 26 May 2015

    Bradlands

  • Requiem for cavalier attitudes

    Great directors used to know how to have their way with source literature. Even novels of distinction were no impediment to Vincente Minnelli, says Brad Stevens.

    Brad Stevens
    Tuesday 14 April 2015

    Bradlands

  • She who wears the trousers

    In Hollywood movies, the trousered female still stands apart, says Brad Stevens.

    Brad Stevens
    Thursday 5 March 2015

    Bradlands

1 - 10 of 35

Pages

Back to the top