Prolific bit-player and trusty saddle lieutenant in many a John Ford western.
Post-war Italian cinema’s go-to screenwriter, from De Sica to Antonioni to the Tavianis.
Versatile opera and ballet composer whose work on film scores was infrequent but infuential.
Towering and tireless master of Russian animation – for adults and children.
Blue-movie maestro and latest of a long line of disparaged women’s-movie masters.
A key experimental filmmaker whose improvised, experimental style had a lasting impact on critical theory and definitions of voyeurism in cinema.
