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Taking inspiration from founts of nonfiction heterodoxy like CPH:DOX and True/False, the ICA’s Frames of Representation festival found a ready audience for its inaugural eight-film showcase of documentary ‘new visions’ from less beaten corners of the world, reports Ben Nicholson.
Friday 27 May 2016
Ken Loach wins his second Palme d’Or, Andrea Arnold wins her third Jury Prize and Iran’s Asghar Farhadi wins two awards for best actor and screenplay – but Maren Ade’s widely admired Toni Erdmann leaves empty-handed. Do juries shun comedies? Do actors always lean to theatre stories, wonders Nick James?
Sunday 22 May 2016
With the latter half of this year’s competition as discouraging as the first week was inspiring, Germany’s Maren Ade seems as deserving an awards candidate as the likes of Olivier Assayas, Jim Jarmusch, Kleber Mendoça Filho and Cristian Mungiu, says Nick James.
Saturday 21 May 2016
From veterans to newcomers: Isabel Stevens picks out ten female talents at this year’s festival, and their work to watch.
Tuesday 17 May 2016
From the Magazine
Maximilian Schell’s 1973 investigation of West Germany’s relationship with its Nazi past wishes away the American cultural trappings that inform the better-known works of his New German Cinema peers. It’s the sort of failure from which cults are made, says Brad Stevens.
Tuesday 3 May 2016
Games, traps and crises of identity and mortality loom large amongst the best conceptual science fiction on offer in this year’s London showcase, reports Anton Bitel.
Wednesday 27 April 2016
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